Blood on the Tracks Episode 65: Quentin Tarantino Part 2.

Lee is back with his second part of his look at his favourite selections from the soundtracks and scores for the filmography of Quentin Tarantino, this time covering "Death Proof" to "Once Upon a Time in America". As Tarantino went forward his soundtracks got larger and larger, so this ended up being an even bigger episode than part one, even with Lee trying his best to restrain himself with his picks.
"Death Proof" (2007)
--Violenza Inattesa --Ennio Morricone--The Last Race --Jack Nitzsche--Jeepster --T. Rex--Riot in Thunder Alley --Eddie Beram--Italia a Mano Armata --Franco Micalizzi--Hold Tight --Dave Dee, Dozy, Beaky, Mick & Tich--Baby, It's You --Smith--Chick Habit --April March
"Inglourious Basterds" (2009)
--Main title from White Lightning --Charles Bernstein--Main title from Slaughter --Billy Preston--Ich Wollt Ich Wär Ein Huhn --Lillian Harvey & Willy Fritsch--Main Theme from Dark of the Sun --Jacques Loussier--Tiger Tank --Lalo Schifrin--Rabbia e Tarantella --Ennio Morricone--Un Amico --Ennio Morricone--The Devil's Rumble --Davie Allan and The Arrows--Algiers November 1, 1954 --Ennio Morricone & Gillo Pontecorvo
"Django Unchained" (2012)
--Django --Rocky Roberts & Luis Bacalov--The Braying Mule --Ennio Morricone--His Name Was King --Luis Bacalov & Edda Dell'Orso--I Got A Name --Jim Croce--Rito Finale --Ennio Morricone--Days of Anger --Riz Ortolani--Trinity (Titoli) --Franco Micalizzi and Lally Stott, vocals by Annibale E I Cantori Moderni
"The Hateful Eight" (2015)
--L'Ultima Diligenza Di Red Rock (Intro Vers.) --Ennio Morricone--Regan's Theme (Floating Sound) --Ennio Morricone--Beastiality --Ennio Morricone--Now You're All Alone --David Hess--L’inferno Bianco --Ennio Morricone--There Won't Be Many Coming Home --Roy Orbison
"Once Upon a Time in Hollywood" (2019)
--I Can't Turn You Loose --Wayne Cochran and The C.C. Riders--Out of Time (Strings Version) --The Rolling Stones--Hush --Deep Purple--Son of a Lovin' Man --Buchanan Brothers--Bring a Little Lovin' --Los Bravos--Ready for Action --Syd Dale--Brother Love's Traveling Salvation Show --Neil Diamond--Kicks --Paul Revere & The Raiders--Victorville Blues --Harley Hatcher Combo--Dinamite Jim (English Version) --Nico Fidenco & I Cantori Moderni di Alessandroni (vocals)--You Keep Me Hangin' On (Quentin Tarantino Edit) --Vanilla Fudge
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 64: Quentin Tarantino Part 1.

Regardless of if you like the work of Quentin Tarantino or not, it can not be denied that he curates killer soundtracks for his films. Much like how he borrows visually and thematically from the films of the past to create his own unique film architecture, he often layers in music from other films in other to do much the same. Sometimes the music is there just to accent a scene and make it cooler, sometimes it's a deeper meta reference. Sometimes it just doesn't work at all, but nobody always hits the target all the time. With the announcement that Tarantino is working on his (according to him) tenth and final film, "The Movie Critic", Lee decided it was time to look back at his body of work as it stands right now, and choose the tracks from his filmography that he loves best. Because there's so much to dig into, this will be part one of a two part series of super-sized episodes.
"Reservoir Dogs" (1992)
--Little Green Bag --The George Baker Selection--Stuck in the Middle With You --Steelers Wheel--Coconut --Harry Nilsson
"Pulp Fiction" (1994)
--Miserlou --Dick Dale--Ace of Spades --Link Wray--Comanche --The Revels--Bustin' Surfboards --The Tornadoes--If Love is a Red Dress (Hang Me in Rags) --Maria McKee
"Jackie Brown" (1997)
--Didn't I (Blow Your Mind This Time) --The Delfonics--Cissy Strut --The Meters--The Lion and the Cucumber --The Vampire's Sound Incorporation--Exotic Dance, Escape, & Aragon --Roy Ayers--Street Life --Randy Crawford--Long Time Woman --Pam Grier--Who is He (And What is He to You) --Bill Withers--Across 110th Street --Bobby Womack
"Kill Bill: Volume 1" (2003)
--The Flower of Carnage --Meiko Kaji--Battle Without Honor or Humanity --Tomoyasu Hotei--Theme from Ironside --Quincy Jones--The Lonely Shepherd --Gheorghe Zamfir & James Last--Twisted Nerve --Bernard Herrmann--That Certain Female --Charlie Feathers--Crane/White Lightning --RZA & Charles Bernstein--Run Faye Run --Isaac Hayes--The Grand Duel (Parte Prima) --Luis Bacalov--Bang Bang (My Baby Shot Me Down) --Nancy Sinatra
"Kill Bill: Volume 2" (2004)
--Motorcycle Circus --Luis Bacalov--Malagueña Salerosa --Chingon--Can't Hardly Stand It --Charlie Feathers--The Chase --Alan Reeves, Phil Steele, and Philip Brigham--A Silhouette of Doom & L'arena --Ennio Morricone
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

TMBDOS! Episode 281: ”Little Rita of the West”/”Crazy Westerners” (1967).

Lee is joined by friends and fellow podcasters Vaughn Kuhlmeier & Mike Wood to talk about an odd-ball 1967 Spaghetti Western/Musicarello film, Directed by Ferdinando Baldi, "Little Rita of the West", or as it's also known as: "Crazy Westerners", starring tiny Italian pop sensation Rita Pavone, and a then mostly unknown (but soon to be quite well-known) Terrence Hill. Much of the conversation revolves around Pavone's career and performance in this film, and how well a musical is actually pulled off in the trappings of the Spaghetti Western. Other things talked about include: free boxes of chicken; frozen pizzas; energy drinks; Vaughn's Tubi ritual; and an Italian rating system for films using the size of the Pope's boner. All that and what the hosts have watched recently is also covered. So why not sing along with us as we try and destroy all the world's gold for Gordon Mitchell in red face?
Check out Vaughn's podcasts, Motion Picture Massacre, and Wanted: Alive or Preferably Dead.
Check out Mike's podcast, The Grindbin. 
"Little Rita of the West" IMDB 
Featured Music: "Piruliruli" by Rita Pavone & Lucio Dalla; an excerpt from "My Name is Potato"; and "Per un colpo di pistola" & "Ma che te ne fai" by Rita Pavone.

TMBDOS! Episode 252: ”Keoma” (1976).

Lee and Leah are joined by two special guests in this episode. Mike and Bobby from The Grindbin Podcast stop by to help dig into the late-period, existential Franco Nero Spaghetti Western "Keoma", directed by Enzo G. Castellari. Things brought up: Is this the last great pasta cowboy picture? "Coolman Keoma"; Why is Jared Leto in this?; Who is the worst Italian on the episode - Leah or Mike?; Lee is old; Italian Donald Sutherland; Keoma is kind of an asshole; and yes, the soundtrack is definitely talked about. The hosts also talk about what they've watched as of late. Come in and listen, and don't mind the folk singer narrating your life.
"Keoma" IMDB
Check out Mike and Bobby on The Grindbin Podcast. 
Featured Music: Except from "Keoma (instrumental)" & "Keoma" by Guido and Maurizio De Angelis.

Blood on the Tracks Episode 45: Guido & Maurizio De Angelis/Oliver Onions Part 3.

Lee is back in a super-sized episode, finishing off his look at the prolific contributions to film music from the talented duo of Guido & Maurizio De Angelis, AKA: Oliver Onions.
--Seq. 1 & Temi di Laura from "My Father's Wife" (1976)--Main Theme from "Cop in Blue Jeans" (1976)--Caccia All'uomo, Pt. 1 & Il Grande Racket, Pt. 1 from "The Big Racket" (1976)--Nata Leri from "Due sul Pianerottolo" (1976) -- Vocals by Rita Pavone--Main Theme from "Safari Express" (1976)--The Shadow of the Killer from "Death Rage" (1976)--Keoma (Harmonica) & Keoma from "Keoma" (1976) -- Vocals by Sybil & Guy--Hombres Del Mar; Arrembaggio; Yara & from The Black Corsair (1976)--Main Theme from "Mr. Robinson" (1976)--Notti Romane from "Messalina, Messalina!" (1977)--Wolf from "A Man Called Blade" (1977) -- Vocals by Cesare De Natale--Main Titles from "Goodbye & Amen" (1977)--Bulldozer from "Bulldozer" (1978)--Brotherly Love from "Odds and Evens" (1978)--Killer Fish (Instrumental) from "Killer Fish" (1979)--Sheriff from "The Sheriff and the Satellite Kid" (1979)--Main Theme "The Shark Hunter" (1979)--Descent into the Abyss from "Alien 2: On Earth" (1979)--Seq. 6 & Seq. 8 from "The Last Shark" (1981)--Main Theme from "Banana Joe" (1982)--Fantasy from "Bomber" (1982)--Seq. 1 from "2019: After the Fall of New York" (1983)--Main Theme from "A Blade in the Dark" (1983)--Black Inferno from "The Raiders of Atlantis" (1983)--The Final Battle from "Yor, the Hunter from the Future" (1983)
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Blood on the Tracks Episode 44: Guido & Maurizio De Angelis/Oliver Onions Part 2.

Lee is back with the second part of his look into the scores and soundtrack work of the prolific brothers Guido & Maurizio De Angelis, AKA: Oliver Onions. In this episode he had his work cut out for him, as the brothers seemingly worked non-stop in the mid-to-late 1970s.
--Angels and Beans from "Even Angels Eat Beans" (1973)--Main Titles from "Giovannona Long-Thigh" (1973)--And Life Goes On from "The Violent Professionals" (1973)--Freedom Rainbow from "Chino" (1973)--Schoolroom Drug from "The Knock Out Cop" (1973)--(I'm) Football Crazy from "Playing the Field" (1974)--Dune Buggy from "Watch Out, We're Mad! (1974)--Una Vita a Metà & ...MMM!?! from "The Beast" (1974)--Main Titles; Goodbye My Friend & Driving All Around from "Street Law" (1974)--Appostamento & Morto Di Giornata from "Flatfoot in Hong Kong" (1975)--New Special Squad from "Violent City" (1975)
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

TMBDOS! Episode 229: "Django the Bastard" (1969).

Lee, Paul and Leah return to take a look at the horror-infused Spaghetti Western "Django the Bastard" (1969), starring prolific Italian genre actor Anthony Steffen in the titular role of Django. The conversation revolves around the legitimacy of the unofficial Django films; how much of an effective horror film this actually is; if the Django in this film is undead or just really clever; and Leah's reaction and thoughts on watching her first pasta cowboy film, and why her mother may very well be the worst Italian for never cluing her in on their existence. The hosts also briefly talk about what they've watched as of late.
"Django the Bastard" IMDB
Featured Music: Excerpts from the score by Vasco Mancuso.

Blood on the Tracks Episode 43: Guido & Maurizio De Angelis/Oliver Onions Part 1.

Lee is back this episode with part one of a three-part look at the film music of the prolific Italian duo of Guido & Maurizio De Angelis, AKA: Oliver Onions.
--Trinity Stand Tall from "Trinity is Still My Name" (1971)--Kerry from "Trastevere" (1971)--Main titles from "Il Sindacalista" (1972)--Fortuna si, Fortuna no from "The Terror with Cross-Eyes" (1972) -- Vocals by Enrico Montesano--Don't Lose Control from "Man of the East" (1972) --Sounds and Voices from "Father Jackleg" (1972)--Flying Through The Air & Plata and Salud from "All the Way, Boys!" (1972)--Afyon & I Picciotti from "The Sicilian Connection" (1972)--Excerpt from "Tales of Canterbury" (1973)--I Corpi Delle Vittime; Il Primo Omicido; Universita; & Corpi Smembrati from "Torso" (1973)
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

BLOOD ON THE TRACKS EPISODE 37: PASTA COWBOY MUSIC PART 3 - RIP MR. MORRICONE.

Rest in peace, Mr. Morricone.
Check out Duncan McLeish's tribute to Morricone here. 
--Titles from "A Fistful of Dollars" (1964)--Watch Chimes from "For a Few Dollars More" (1965)--The Good, the Bad and the Ugly from "The Good, the Bad and the Ugly" (1966)--Farewell To Cheyenne from "Once Upon a Time in the West" (1968)--A Fistful of Dynamite from "A Fistful of Dynamite" (1971)--The Cruel from "The Hellbenders" (1967)--An Indian Story (Healing The Wound) from "Navajo Joe" (1966)--Guitar Nocturne from "Death Rides a Horse" (1967)--The Penguin from "Companeros" (1970)--Main Title from "Two Mules for Sister Sara" (1970)--The Chase from "A Fistful of Dollars" (1964)--Jokes on the Side from "A Fistful of Dynamite" (1971)--Main Title from "My Name is Nobody" (1973)--Vivacious Bamba (Titles) from "The Mercenary" (1968)--A Sky Full of Stars for a Roof (Titles) from "A Sky Full of Stars for a Roof" (1968)--Main Titles (The Hunt) from "The Big Gundown" (1966)--A Silhouette of Doom from "Navajo Joe" (1966)--Face to Face (Titles) from "Face to Face" (1967)--The Bullfight from "The Big Gundown" (1966)--Counter-Revolution from "A Fistful of Dynamite" (1971)--Final Duel from "Once Upon a Time in the West" (1968)--The Arena from "The Mercenary" (1968)--Mystic and Severe from "Death Rides a Horse" (1967)--Chased! from "A Sky Full of Stars for a Roof" (1968)--The Ecstacy of Gold from "The Good, the Bad and the Ugly" (1966)--Passages in Time from "The Great Silence" (1968)--Before the Assault from "The Hellbenders" (1967)--The Last Trupet from "Buddy Goes West" (1981)--Death Rides a Horse from "Death Rides a Horse" (1967)--Navajo Joe (Main Title) from "Navajo Joe" (1966)--Let's Go and Kill, Companions (Titles) from "Companeros" (1970)--The Great Silence (Restless) from "The Great Silence" (1968)--The Trio from "The Good, the Bad and the Ugly" (1966)--Finale from "Once Upon a Time in the West" (1968)
Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Blood on the Tracks Episode 36: Pasta Cowboy Music Part 2 - In the Shadow of Morricone.

Lee is back with some lesser known misfits, outright strangers - and, of course, a few well-known - selections from Cowboy Pasta scores that are not from Ennio Morricone. Lee also reads some comments from someone whose work has been featured on a past episode of BotT! There's probably too much talking on this one. Sorry about that.
--Djurado Seq. 9 from "Djurado" (1966) --Gianni Ferrio --Seq. 2 from "Colt in the Hand of the Devil" (1967) --Gian Piero Reverberi --Sandstorm from "Requiem for a Gringo" (1968) --Angelo Francesco Lavagnino --Crying from "A Hole In The Forehead" (1968) --Roberto Pregadio & Walter Rizzati --Seven Men from "Seven Winchesters for a Massacre" (1967) --Francesco de Masi --Main Titles from "A Stranger in Paso Bravo" (1968) --Angelo Francesco Lavagnino --Titles (Alternate Version) from "If You Meet Sartana Pray For Your Death" (1968) --Piero Piccioni --Travel from "A Train for Durango" (1968) --Carlo Rustichelli --Main Titles from "The Night of the Serpent" (1969) --Riz Ortolani --Heads or Tails from "Heads or Tails" (1969) --Carlo Savina --Main Titles from "Sabata" (1969) --Marcello Giombini --Seq. 7 from "Have a Good Funeral, My Friend ... Sartana Will Pay" (1970) --Bruno Nicolai --Blindman's Arrival from "Blindman" (1971) --Stelvio Cipriani --Main Titles from "Bullet for a Stranger" (1971) --Bruno Nicolai --Main Titles from "Black Killer" (1971) --Daniele Patucchi --My Name & The Departure from "Shanghai Joe" (1973) --Bruno Nicolai
Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Blood on the Tracks Episode 35: Pasta Cowboy Music Part 1 - A Fist Full of Vocals.

Even if someone has never watched an Italian Western, there's at least a good chance they've heard the soundtrack or score from one. While Lee has featured some tracks from Italian Westerns before on the show, he's never done a dedicated look at the genre. This will be part one of three shows attempting to cover the scope of music that came from the Italian Westerns. Episode one is focused on selections that have vocalists on the tracks singing a song of some sort (note: the typical chorus of unintelligible chanting found on many Italian Western scores does not count in this case). As mentioned before, in some cases, you'll encounter a track that has been featured on a previous episode, but the majority of these shows will be featuring new material. Also, although he states on the episode that he was trying to keep this episode within the usual confines of an hour runtime, he quickly discovered the folly of that, as there is too much great music to play. Expect all of the episodes in this series to be as long as they have to be.
--A Gringo Like Me from "Gunfight at Red Sands" (1963) --Ennio Morricone w/Peter Tevis --The Return of Ringo from "The Return of Ringo" (1965) --Ennio Morricone w/Maurizio Graf --A Lone and Angry Man from "A Coffin for the Sheriff" (1965) --Francesco De Masi w/Peter Tevis --Ya Me Voy from "A Bullet for the General" (1966) --Luis Bacalov w/Ramon Mereles --Texas, Adios from "Texas, Adios" (1966) --Anton Garcia Abril w/Don Powell --Django from "Django" (1966) --Luis Bacalov w/Rocky Roberts --For a Gunshot from "Little Rita of the West" (1967) --Roberto Gigli w/Rita Pavone--Who Is The Man? from "A Taste of Death" (1968) --Francesco De Masi; Alessandro Alessandroni & Giulia De Mutiis w/Raoul Lovecchio --Just A Coward from "And Now... Make Your Peace with God" (1968) --Franco Bixio w/Mary Usuah --A Man Alone from "Time and Place for Killing" (1968) --Francesco De Masi w/Raoul Lovecchio --Rocks, Blood And Sand from "And God Said to Cain" (1969) --Carlo Savina w/Don Powell --Maya from "No Room to Die" (1969) --Vasco & Mancuso w/Franco Morselli --Vamos A Matar Compañeros (#4) from "Companeros" (1970) --Ennio Morricone --A King For A Day from "Sartana in the Valley of Death" (1970) --Augusto Martelli --Trinity: Titles from "They Call Me Trinity" (1970) --Franco Micalizzi & Harold Stott w/Annibale Giannarelli --They Called Him King from "His Name was King" (1971) --Luis Bacalov w/Ann Collin & Edda Dell’Orso --I'm Not Your Pony from "Shoot the Living and Pray for the Dead" (1971) --Mario Migliardi w/Ann Collin --Can Be Done from "It Can Be Done Amigo" (1972) --Luis Bacalov w/Rocky Roberts --Let it Rain, Let it Pour from "Ben and Charlie" (1972) --Gianni Ferrio w/Stefan Grossmann --Blue Eggs and Ham from "Halleluja to Vera Cruz" (1973) --Luis Bacalov --Keoma from "Keoma" (1976) --Guido & Maurizio De Angelis w/Sybil & Guy
Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

TMBDOS! Episode 163: "Companeros" (1970).

The whole crew is together in this episode to talk about Sergio Corbucci's follow-up (and - let's face it - remake) of "The Mercenary", "Companeros" (1970). Nero is back playing another handsome, smooth-talking European mercenary. Jack Palance is back playing his rival again, but now he's got a wooden hand, smoking lots of wacky tobaccy cigarettes, and having conversations with his pet falcon. And then there's Tomas Milian, looking like Che Guevara, and threatening to steal the entire film out from under everyone's feet! Listener comments and a bunch of rambling, drunken asides abound in this one (including Paul's issues with Jack Palance in real life), so why not join the revolution?
"Companeros" IMDB 
Featured Music: "Il Pinguino" & "Vamos a Matar Compañeros (Titoli)" by Ennio Morricone.

TMBDOS! Episode 162: "The Mercenary" (1968).

This week Lee and Daniel continue down the dusty western trail with Sergio Corbucci's "The Mercenary" (1968). The balance of political and social themes in this Zapata spaghetti western with the out-right action and buddy comedy elements are discussed, as well as how this stands up to Leone's work. Jack Palance's naked ass, possible poly-triads, what the hosts have watched, and listener comments are also covered.
"The Mercenary" IMDB 
Featured Music: "Bamba Vivace", "Estasi" & "Il Mercenario (L'arena)" by Ennio Morricone.

TMBDOS! Episode 161: "The Fighting Fists of Shanghai Joe" (1973).

This week Lee and Paul are here to talk about the Italian Western/Martial Arts mash-up "The Fighting Fists of Shanghai Joe" (1973), directed by Mario Caiano. Can these two genres work together? Racist slurs? Quality dentures in the old west? Bloody violence? Klaus Kinski? All of this and more, as well as a listener comment and a couple of recent watches from Paul are talked about.
"The Fighting Fists of Shanghai Joe" IMDB 
Featured Music: Selections from the score by Bruno Nicolai.

Blood on the Tracks Episode 13: Favourite Westerns Part 3.

Lee is back with the third and final (for now) part of his list of selections from his favourite soundtracks/scores from Westerns. If you've guessed that there's a ton of Italian tracks in here, you'd be quite correct, but Lee still managed to sneak in a few North American entries he remembered.
Playlist:
--Do Not Forsake Me, Oh My Darlin from "High Noon" (1953) -- Tex Ritter --The Cowboys from "Tombstone" (1993) -- Bruce Broughton --Johnny Guitar from "Johnny Guitar" (1954) -- Peggy Lee & Victor Young --Nel Cimitero Di Tucson from "Viva Django" (1968) -- Gianfranco Reverberi & Gian-Piero Reverberi --You'd Better Smile from "Viva Django" (1968) -- Gianfranco Reverberi & Gian-Piero Reverberi --Hot Lands from "Silver Saddle" (1978) -- Franco Bixio, Vince Tempera & Fabio Frizzi --Main Titles from "Death Rides a Horse" (1967) -- Ennio Morricone --The Ecstacy of Gold from "The Good, The Bad, and The Ugly" (1968) -- Ennio Morricone --Rather Lovely Thing from "The Assassination of Jesse James by the Coward Robert Ford" (2007) -- Nick Cave & Warren Ellis --Four Doomed Men Ride Out from "Bone Tomahawk" (2015) -- Jeff Herriott & S.Craig Zahler --Johnny's Theme from "Blood at Sundown" (1966) -- Felice Di Stefano & Michele Lacerenza --Sycamore Trails from "If You Meet Sartana, Pray for Your Death" (1968) -- Piero Piccioni --Ballad of a Gunman from "Ballad of a Gunman" (1967) -- Marcello Giombini --There Won't Be Many Coming Home from "The Fastest Guitar Alive" (1967) -- Roy Orbison
Opening and closing music: Downhill Decoy from "Danger Diabolik" by Ennio Morricone & Blonk Monster from "House by the Cemetery" by Walter Rizzati.

Blood on the Tracks Episode 12: Favourite Westerns Part 2.

Lee is back with part 2 of his list of selections from his favourite western's soundtracks/scores. This time it's pretty much all Italian westerns. He had so much fun going down this rabbit hole that he's decided there will be a part 3 next month.
Playlist:
--Theme from The Magnificent Seven from "The Magnificent Seven" (1960) -- Elmer Bernstein --Django from "Django" (1966) -- Luis Bacalov /w Rocky Roberts --Durango from "Django Strikes Again" (1987) -- Gianfranco Plenizio --Ehi Amico... C'è Sabata. Hai Chiuso! from "Sabata" (1969) -- Marcello Giombini --Banjo (Single Version) from "Sabata" (1969) -- Marcello Giombini --Wolf from "Mannaja" (1977) -- Guido and Maurizio De Angelis /w Guy --Main Title from "Joe Kidd" (1972) -- Lalo Schifrin --El Deguello from "Rio Bravo" (1959) -- Dimitri Tiomkin --Il Triello (The Trio) from "The Good, The Bad and The Ugly" (1966) -- Ennio Morricone --Per un Colpo di Pistola from "Rita of the West" (1968) -- Gigli and Musy /w Rita Pavone --Theme (Long Version) from "Dead Man" (1995) -- Neil Young --Trinity (Titoli) from "They Call Me Trinity" (1970) -- Franco Micalizzi, Harold Stott /w David King/Annibale.
Opening and closing music: Downhill Decoy from "Danger Diabolik" by Ennio Morricone & Blonk Monster from "House by the Cemetery" by Walter Rizzati.

Blood on the Tracks Episode 11: Favourite Westerns Part 1.

In this episode Lee decided to play some selections from his favourite westerns (part 2 coming next episode). Lee tried really, really hard not to let Italian westerns take over this first playlist. He really did.
Playlist:
--Hang 'Em High Theme from "Hang 'Em High" (1968) -- Dominic Frontiere --Main Title from "High Plains Drifter" (1973) -- Dee Barton --Claudia's Theme from "Unforgiven" (1992) -- Lennie Niehaus & Clint Eastwood --Day of Anger from "Day of Anger" (1967) -- Riz Ortolani --Sartana is Coming s.2 from "Light the Fuse... Sartana is Coming" (1970) -- Bruno Nicolai --Keoma from "Keoma" (1976) -- Guido & Maurizio De Angelis (vocals: Sybil and Guy) --Happy Land from "The Proposition" (2005) -- Nick Cave and Warren Ellis --Main Titles from "The Professionals" -- Maurice Jarre --My Name is King from "His Name Was King" (1971) -- Luis Bacalov --The Grand Duel (Parte Prima) from "The Grand Duel" (1972) -- Luis Bacalov --Liberta from "The Mercenary" (1968) -- Ennio Morricone & Bruno Nicolai --Vamos a Matar, Compañeros from "Compañeros" (1970) -- Ennio Morricone
Opening and closing music: Downhill Decoy from "Danger Diabolik" by Ennio Morricone & Blonk Monster from "House by the Cemetery" by Walter Rizzati.

TMBDOS! Episode 76: "Once Upon a Time in the West" (1968).

It's finally here, the cap-off to the first serious look into Spaghetti Westerns on the podcast. This week Lee, Daniel and Paul take a look at an undisputed masterpiece of both the genre and just film itself. On deck is Sergio Leone's "Once Upon a Time in the West" from 1968. Of course, not every scrap of detail can be covered, especially when Lee wants to fit a bunch of music from the classic soundtrack in as well, but a lot of stuff is talked about, and we don't think you'll be let down, listeners. 
"Once Upon a Time in the West" IMDB: http://www.imdb.com/title/tt0064116/combined
Featured Music: "Man With a Harmonica"; "Cheyenne"; "As a Judgement"; "Main Theme"; and "Jill's Theme" by Ennio Morricone.

TMBDOS! Episode 75: "The Great Silence" (1968).

Lee, Daniel and Paul are back to tackle one of the greatest films in the Spaghetti Western genre (and one of the most depressing), in Sergio Corbucci's "The Great Silence". Listener comments and what they've watched as of late are also briefly touched upon in this briefer than usual episode. Make no mistake, however: a lot is discussed in regards to the film itself.
"The Great Silence" IMDB: http://www.imdb.com/title/tt0063032/combined
Featured Music: "Barbara e Tagliente" & "Il Grande Silenzio (Restless)" by Ennio Morricone.

TMBDOS! Episode 74: ”Death Rides a Horse” (1967); ”Sabata” (1969); & ”The Grand Duel” (1972).

In this installment of the podcast's Spaghetti Western series, Daniel and Paul each have a separate conversation with Lee about three non-Leone Lee Van Cleef outings. Covered in this episode are "Death Rides a Horse" (1967); "Sabata" (1969); and "The Grand Duel" (1972). Besides just going on about what a badass Van Cleef is in these films, common tropes and themes between the three films are talked about, and the general trends of the twilight years of the genre. A lot is talked about and there's a bit more music than usual, so this is a long one. Strap yourselves in, kids.
"Death Rides a Horse" IMDB: http://www.imdb.com/title/tt0064208/combined
"Sabata" IMDB: http://www.imdb.com/title/tt0064916/combined
"The Grand Duel" IMDB: http://www.imdb.com/title/tt0068657/combined
Featured Music: "Death Rides a Horse" by Ennio Morricone; "Ehi Amico C'è Sabata (Alternate Version 2)" by Marcello Giombini; "Parte Prima" by Luis Bacalov; and "Mystic and Severe" by Ennio Morricone.