Blood on the Tracks Episode 70: Peak Lynch.

In this episode Lee picks some of his favourite music that's been featured in the feature length films of David Lynch, one of Lee's favourite directors. It's recommended you listen with a damn fine cup of coffee, and a steaming plate of garmonbozia
--Digah's Stomp from "Eraserhead" (1977) --Fats Waller--In Heaven (Lady in the Radiator Song) from "Eraserhead" (1977) --Peter Ivers, David Lynch, Alan R. Splet & Fats Waller--The Elephant Man Theme & The Belgian Circus Episode from "The Elephant Man" (1980) --John Morris--Robot Fight from "Dune" (1984) --Toto--Main Title & Frank from "Blue Velvet" (1986) --Angelo Badalamenti--Honky Tonk Part 1 from "Blue Velvet" (1986) --Bill Doggett--In Dreams from "Blue Velvet" (1986) --Roy Orbison--Cool Cat Walk from "Wild at Heart" (1990) --Angelo Badalamenti & Kinny Landrum--Love Me Tender from "Wild at Heart" (1990) --Nicolas Cage--Wicked Game from "Wild at Heart" (1990) --Chris Isaak--Theme from "Twin Peaks: Fire Walk with Me" (1992) -- Angelo Badalamenti--The Black Dog Runs at Night from "Twin Peaks: Fire Walk with Me" (1992) --Thought Gang--The Pink Room from "Twin Peaks: Fire Walk with Me" (1992) --David Lynch--Sycamore Trees from "Twin Peaks: Fire Walk with Me" (1992) --Jimmy Scott--I'm Deranged from "Lost Highway" (1997) --David Bowie--This Magic Moment from "Lost Highway" (1997) --Lou Reed--Mr. Eddy's Theme 1 & 2 from "Lost Highway" (1997) --Barry Adamson--Country Theme & Alvin's Theme from "The Straight Story" (1999) --Angelo Badalamenti --Diner & Silencio from "Mulholland Drive" (2001) --Angelo Badalamenti--Llorando from "Mulholland Drive" (2001) --Rebekah Del Rio--Bring it on Home from "Mulholland Drive" (2001) --Sonny Boy Williamson II--Call from the Past & Ghost of Love from "Inland Empire" (2006) --David Lynch
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Lee Van Teeth Halloween Show 2023.

The last real Wolf Man of rock is back for 2023. That's right, it's your old friend Lee Van Teeth, scratching and biting up a playlist of ghoulish Halloween delights for all you trickers and treaters out there. It's two hours of rocking horror power, far too sweet to be sour. So why won't you just open wide and suck on it already?
"I'm the Wolf Man" -- Round Robin"Haunted House" -- Madmen"Jam at the Mortuary" -- Griz Green"Zombie Walk" -- The Magics"Black Magic" -- Jericho Jones"Laughing Over My Grave" -- Ray Stevens"The Boogie Man" -- The Cadillacs"The Creeper " -- Jerry Wald"Baba Yaga" -- Pagans"Vampire" -- The Crystals"Evil Eye" -- Al Saxon"The Thing" -- Curtis & The Creepers"Witch Girl" -- The Mystrys"What Kind of Ghoul Am I" -- Frankie Stein And His Ghouls"Lucifer" -- Dies Irae"House of Wax" -- Isaac Rother & The Phantoms"Halloween" -- Isaac Rother & The Phantoms"Haunted Castle" -- Isaac Rother & The Phantoms"Crystal Ball Baby" -- Isaac Rother & The Phantoms"Nightmare" -- The Abstracts"The Guillotine" -- The Executioners"I Have Always Been Here Before" -- Roky Erickson"Ghost Rider" -- Suicide"The Invasion is Coming" -- The Invasion"Shadows in the Night" -- Quests"Spooky" -- George Barnes"Giallo in Tensione" -- Daniele Patucchi"Sleepy Hollow" -- Last Word"Séance" -- The Ebb-Tides"The Night Stalker" -- Teddy Durant"Devil's Whorehouse" -- The Misfits"Horror Hotel" -- The Misfits"You Must be a Witch" -- The Lollipop Shoppe"I'm a Living Sickness" -- The Calico Wall"He's Back (The Man Behind the Mask)" -- Alice Cooper"Cry Little Sister" -- Gerard McMann
 

Blood on the Tracks Episode 69: Asian Horror.

In this episode Lee takes a brief trip to the far East to check out tracks from the soundtracks and scores of some of his favourite Asian horror films. This will most likely be followed up with more parts in the future.
--Heart Sutra from "Kwaidan" (1964) --Tōru Takemitsu--Theme from "Onibaba" (1964) --Hikaru Hayashi--Oriental Melon Man from "House" (1977) --Mickie Yoshino & Godiego--Theme from "Mystics in Bali" (1981) --Gatot Sudarto--The Cursed Video from "Ring" (1998) --Kenji Kawai--Robby's Song from "Tomie" (1998) --World Famous--Theme from "Audition" (1999) --Kōji Endō--Kirie from "Uzumaki" (2000) --Tetsuro Kashibuchi & Keiichi Suzuki--Ju-On Theme - House from "Ju-On: The Grudge" (2002) --Shiro Sato--The Monster's Lair from "The Host" (2006) --Byung-woo Lee--Theme from "Cold fish" (2010) --Tomohide Harada--First Pass from "Train to Busan" (2016) --Jang Young-Gyu--Karma & Kelam Malam from "Satan's Slaves" (2017) --The Spouse (Aimee Saras & Tony Marle)
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 68: Sex Comedies of the 1980s.

Lee is back with the second part of his look at the soundtracks and scores of the sex comedy genre, focusing on the more lurid side of things. This time everything has gotten far bigger and far hornier as he moves into the 1980s. Much like with slasher films, and other assorted cinematic junk food, the sex comedy genre exploded in North America during this decade, getting far raunchier and problematic that it had previously been. Because of the exponentially larger amount of music to put on the playlist, Lee put out a poll to the listeners asking them if they wanted this split into two parts or if they wanted a super-sized summer blow-out. Apparently the listeners are all size queens, so enjoy this 3hr episode!
NOTE: Let Me Be the Knight from "The Big Bet" (1987) by Rob Tro is mentioned as being on the list in this episode, but unfortunately it got lost in the final edit, and Lee doesn't feel like fixing it and reuploading the episode at this point. Sorry.
--Pinball Summer & Voyeur's Motel from "Pinball Summer" (1980) --Jay Boivin & Germain Gauthier--I Don't Need To Love You & Try Not To Break My Heart from "The Beach Girls" (1982) --Linda Stevens-Foote--Better Luck Next Time from "The Last American Virgin" (1982) --Oingo Boingo--Shake it Up from "The Last American Virgin" (1982) --The Cars--Teen Angel Eyes from "The Last American Virgin" (1982) --Tommy Tutone--Girls Like Me from "Valley Girl" (1983) --Bonnie Hayes--Marina Men from "Valley Girl" (1983) --The Valley Girls--Pocket Pool from "Valley Girl" (1983) --Killer Pussy--Angst in My Pants from "Valley Girl" (1983) --Sparks--Shake that Thing & This Heart's On Fire from "Screwballs" (1983) --Johnny Dee Fury--Joysticks from "Joysticks" (1983) --Legion--My Tutor from "My Tutor" (1983) --Webster Lewis--Sleepover from "The First Turn-On!" (1983) --Shrapnel--Hungry Like the Wolf from "Hot Dog... The Movie" (1983) --Duran Duran--When You Were Mine from "Hot Dog... The Movie" (1983) --Mitch Ryder--Private School from "Private School" (1983) --Bill Wray--Rock this Town from "Private School" (1983) --The Stray Cats--I Want Candy from "Private School" (1983) --Bow Wow Wow--Da Da Da I Don't Love You, You Don't Love Me Aha Aha Aha from "Private School" (1983) --Trio--How Do I Let You Know from "Private School" (1983) --Phoebe Cates--Just a Girl from "The Party Animal" (1984) --The Convertibles--Why Can't I Touch It? from "The Party Animal" (1984) --The Buzzcocks--Manhattan from "Revenge of the Nerds" (1984) --Andrea and Hot Mink--Burning Down the House from "Revenge of the Nerds" (1984) --Talking Heads--Steel from "Rosebud Beach Hotel" (1984) --Cherie & Marie Currie--Hardbodies from "Hardbodies" (1984) --Krak--Runnin' from "Hardbodies" (1984) --Vixen--Back to Paradise from "Revenge of the Nerds II" (1984) --38 Special--Dedication from "School Spirit" (1985) --Gleaming Spires--Hard Way from "Just One of the Guys" (1985) --Tony Brock & Jay Davis--Tomboy from "Tomboy" (1985) --Souvenir--Weird Science from "Weird Science" (1985) --Oingo Boingo--Philadelphia Baby from "Porky's Revenge" (1985) --The Crawling King Snakes--Peter Gunn Theme from "Porky's Revenge" (1985) --Clarence Clemons--High School Nights from "Porky's Revenge" (1985) --Dave Edmunds--Loose Screws (Breakin' Away) from "Loose Screws" (1985) --Errol Francis and The Francis Factor--Stew School from "Stewardess School" (1986) --Keith Landry--Lookin' from "The Malibu Bikini Shop" (1986) --Naomi Delgado--Recruits (Ride Hard, Live Free) from "Recruits" (1986) --Jon Mikl Thor--Hamburgers For America from "Hamburger: The Motion Picture" (1986) --Blue Miller--Party Camp from "Party Camp" (1987) --Mark Carpenter--Surfin' Bongos from "Senior Week" (1987) --The Bongo Teens--Main Title from "Not of This Earth" (1988) --Chuck Cirino--Killer Machine from "Dr. Alien" (1989) --Billy Jacoby
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 67: Sex Comedies of the 1970s.

Lee is back with part one of a two-part look at the soundtracks and scores of sex comedies, specifically those of the 1970s and 1980s, the raunchier the better! There was so much material to go through that he had to split each decade into its own super-sized episode of BotT, and even then he's barely scraping the surface. In part one we start off in the decade where the sex comedy really started to take off overseas at first: the 1970s! This was especially obvious in places like Great Britain and Italy, and this trend would seemingly influence North American sex comedies to push the envelope even further later in the decade, before they totally came to dominate in the 1980s.
--Up Pompeii from "Up Pompeii" (1970) --Frankie Howerd--God's Children & Lola from "Percy" (1971) --The Kinks--Au Pair Girls 2 from "Au Pair Girls" (1972) --Roger Webb--Sessomatto from "How Funny Can Sex Be" (1973) --Armando Trovajoli--Alvin Purple from "Alvin Purple" (1973) --Brian Cadd--Lovin' Is from "Alice Goodbody" (1974) --Rick Harris, Candy & Mr. D--This is Your Life Timmy Lea from "Confessions of a Window Cleaner" (1974) --Su Cheyenne--Girl from Starship Venus from "The Girl from Starship Venus" (1975) --Don Lang--Confessions of Timmy Lee from "Confessions of a Pop Performer" (1975) --Three's a Crowd--Kipper; Accidents Will Happen; Oh Sha La La & The Clapham from "Confessions of a Pop Performer" (1975) --Kipper (Dominic Bugatti & Frank Musker)--Theme from "The Ups and Downs of a Handyman" (1975) --Vic Elms (vocals by Barry Stokes)--Sq. 1 - Titoli & Seq. 3 from "The Sensuous Nurse" (1975) --Gianfranco Plenizio--My Cruisin' Casanova from "Adventures of a Taxi Driver" (1976) --Adrienne Posta--The Love Bug from "What's Up Nurse!" (1977) --Tony Burrows--Private Eye from "Adventures of a Private Eye" (1977) --Christopher Neil--The New Carioca from "The Kentucky Fried Movie" (1977) --Jonathan & Darlene Edwards--Heavy Bopper from "The Kentucky Fried Movie" (1977) --Alan Moorhouse--Give Me England from "Confessions from a Holiday Camp" (1977) --The Wurzels--It's Great to Be Here from "Come Play with Me" (1977) --Peter Jeffries (vocals by Alfie Bass & George Harrison Marks)--Come Play with Me from "Come Play With Me" (1977) --Coming Shortly (Peter Jeffries)--Chevy Van; Country Lady & Early Morning Love from "The Van" (1977) --Sammy Johns--Animal House from "Animal House" (1978) --Stephen Bishop--Lollipop from "Lemon Popsicle" (1978) --The Chordettes--Hold On, I'm Coming from "What's Up Superdoc!" (1978) --Fingers (Paul Fishman)--I'm Flying from "Adventures of a Plumbers Mate" (1978) --Christopher Neil--Love Crazy from "Carry on Emmannuelle" (1978) --Masterplan (Kenny Lynch)--Lola Langusta from "Beneath the Valley of the Ultra-Vixens" (1979) --Paul Ruhland--Van Nuys Blvd. & Mama's Car from "Van Nuys Blvd." (1979) --Ron Wright & Ken Mansfield--All of My Friends from "Gas Pump Girls" (1979) --Kirsten Baker--Theme from "Spaced Out" (1979) --Emil Zoghby--You Got Me Up There from "Spaced Out" (1979) --Tommy Hunt
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 66: Grab Bag 4 - Back in the Bag.

Yes indeed, Lee is swamped with work and other things, so it's time to give him a break and let him do another easy TMBDOS! Grab Bag episode. This is where he makes up a playlist based on selections from the scores and soundtracks from the films covered on previous episodes of the They Must Be Destroyed On Sight! podcast. Enjoy!
--La Ragazza Con La Pistola, In Due & Shake Balera from "The Girl with the Pistol" (1968) --Peppino De Luca (Episode 236)--The Name's Bond... James Bond from "No Time to Die" (2021) --Nicholas Dodd (Episode 243)--Mask: Movement 3 from "Vampire in Venice" (1988) --Vangelis (Episode 244)--Temple of The Golden Pavilion from "Mishima" (1985) --Phillip Glass (Episode 246)--Main Title from "Sneakers" (1992) --James Horner (Episode 247)--Main Theme from "Death Screams" (1982) --Dee Barton (Intermission #38)--Keoma (Instrumental) from "Keoma" (1976) --Guido and Maurizio De Angelis (Episode 252)--Ain't that a Kick in the Head from "Goodfellas" (1990) --Dean Martin (Episode 257)--I Want You Around from "Rock 'n' Roll High School" (1979) --The Ramones (Episode 259)--I'm Waiting for the Man from "American Pop" (1981) --Lou Reed (Episode 261)--Whistle & Bells and Sheriff from "The Sheriff and the Satellite Kid" (1979) --Oliver Onions (Episode 264)
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 65: Quentin Tarantino Part 2.

Lee is back with his second part of his look at his favourite selections from the soundtracks and scores for the filmography of Quentin Tarantino, this time covering "Death Proof" to "Once Upon a Time in America". As Tarantino went forward his soundtracks got larger and larger, so this ended up being an even bigger episode than part one, even with Lee trying his best to restrain himself with his picks.
"Death Proof" (2007)
--Violenza Inattesa --Ennio Morricone--The Last Race --Jack Nitzsche--Jeepster --T. Rex--Riot in Thunder Alley --Eddie Beram--Italia a Mano Armata --Franco Micalizzi--Hold Tight --Dave Dee, Dozy, Beaky, Mick & Tich--Baby, It's You --Smith--Chick Habit --April March
"Inglourious Basterds" (2009)
--Main title from White Lightning --Charles Bernstein--Main title from Slaughter --Billy Preston--Ich Wollt Ich Wär Ein Huhn --Lillian Harvey & Willy Fritsch--Main Theme from Dark of the Sun --Jacques Loussier--Tiger Tank --Lalo Schifrin--Rabbia e Tarantella --Ennio Morricone--Un Amico --Ennio Morricone--The Devil's Rumble --Davie Allan and The Arrows--Algiers November 1, 1954 --Ennio Morricone & Gillo Pontecorvo
"Django Unchained" (2012)
--Django --Rocky Roberts & Luis Bacalov--The Braying Mule --Ennio Morricone--His Name Was King --Luis Bacalov & Edda Dell'Orso--I Got A Name --Jim Croce--Rito Finale --Ennio Morricone--Days of Anger --Riz Ortolani--Trinity (Titoli) --Franco Micalizzi and Lally Stott, vocals by Annibale E I Cantori Moderni
"The Hateful Eight" (2015)
--L'Ultima Diligenza Di Red Rock (Intro Vers.) --Ennio Morricone--Regan's Theme (Floating Sound) --Ennio Morricone--Beastiality --Ennio Morricone--Now You're All Alone --David Hess--L’inferno Bianco --Ennio Morricone--There Won't Be Many Coming Home --Roy Orbison
"Once Upon a Time in Hollywood" (2019)
--I Can't Turn You Loose --Wayne Cochran and The C.C. Riders--Out of Time (Strings Version) --The Rolling Stones--Hush --Deep Purple--Son of a Lovin' Man --Buchanan Brothers--Bring a Little Lovin' --Los Bravos--Ready for Action --Syd Dale--Brother Love's Traveling Salvation Show --Neil Diamond--Kicks --Paul Revere & The Raiders--Victorville Blues --Harley Hatcher Combo--Dinamite Jim (English Version) --Nico Fidenco & I Cantori Moderni di Alessandroni (vocals)--You Keep Me Hangin' On (Quentin Tarantino Edit) --Vanilla Fudge
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 64: Quentin Tarantino Part 1.

Regardless of if you like the work of Quentin Tarantino or not, it can not be denied that he curates killer soundtracks for his films. Much like how he borrows visually and thematically from the films of the past to create his own unique film architecture, he often layers in music from other films in other to do much the same. Sometimes the music is there just to accent a scene and make it cooler, sometimes it's a deeper meta reference. Sometimes it just doesn't work at all, but nobody always hits the target all the time. With the announcement that Tarantino is working on his (according to him) tenth and final film, "The Movie Critic", Lee decided it was time to look back at his body of work as it stands right now, and choose the tracks from his filmography that he loves best. Because there's so much to dig into, this will be part one of a two part series of super-sized episodes.
"Reservoir Dogs" (1992)
--Little Green Bag --The George Baker Selection--Stuck in the Middle With You --Steelers Wheel--Coconut --Harry Nilsson
"Pulp Fiction" (1994)
--Miserlou --Dick Dale--Ace of Spades --Link Wray--Comanche --The Revels--Bustin' Surfboards --The Tornadoes--If Love is a Red Dress (Hang Me in Rags) --Maria McKee
"Jackie Brown" (1997)
--Didn't I (Blow Your Mind This Time) --The Delfonics--Cissy Strut --The Meters--The Lion and the Cucumber --The Vampire's Sound Incorporation--Exotic Dance, Escape, & Aragon --Roy Ayers--Street Life --Randy Crawford--Long Time Woman --Pam Grier--Who is He (And What is He to You) --Bill Withers--Across 110th Street --Bobby Womack
"Kill Bill: Volume 1" (2003)
--The Flower of Carnage --Meiko Kaji--Battle Without Honor or Humanity --Tomoyasu Hotei--Theme from Ironside --Quincy Jones--The Lonely Shepherd --Gheorghe Zamfir & James Last--Twisted Nerve --Bernard Herrmann--That Certain Female --Charlie Feathers--Crane/White Lightning --RZA & Charles Bernstein--Run Faye Run --Isaac Hayes--The Grand Duel (Parte Prima) --Luis Bacalov--Bang Bang (My Baby Shot Me Down) --Nancy Sinatra
"Kill Bill: Volume 2" (2004)
--Motorcycle Circus --Luis Bacalov--Malagueña Salerosa --Chingon--Can't Hardly Stand It --Charlie Feathers--The Chase --Alan Reeves, Phil Steele, and Philip Brigham--A Silhouette of Doom & L'arena --Ennio Morricone
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 63: The Vanity of it All.

Sometimes the cinematic vanity project (a film that is usually some combo of a single person writing, directing, producing and acting in a film) can be an artistic vision that's a masterpiece that stands the test of time. A good example would be Orson Welles' "Citizen Kane". Most times, however, vanity projects are created by total outsiders who have the money but no talent, but their drive and their delusions push the project through, for better or for worse. This time out Lee has put together a playlist covering some notable, and in some cases just unknown, vanity projects. This will no doubt be a thread picked up in future episodes, as there's a ton of these to cover.
--World's Greatest Sinner from "The World's Greatest Sinner" (1962) --Frank Zappa--Come on Feet from "Sweet Sweetback's Baadasssss Song" (1971) --Melvin Van Peebles--Schlock Boogie from "Schlock" (1973) -- Ian Kranitz & Albin Konopka--Rage from "Stone" (1974) --Billy Green--I'll Be With You In Apple Blossom Time & Open Your Heart from "Massacre Mafia Style" (1974) --Duke Mitchell--Enuff is Enuff from "One Down, Two to Go" (1982) --Rodney Franklin--To Survive; Girl Crazy & Take it Off from "The Life and Loves of a Male Stripper" (1987) --Rafael Bethencort--Shimmy Slide from "Champagne and Bullets" (1993) --John De Hart--The Ninja from "New York Ninja" (2021) --Voyag3r
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 62: Unused Scores Part 2.

Lee has finally dipped back into the world of rejected film scores. Due to popular demand, he's also included short snippets of the scores that were actually used in the finished film before each selection. Sit back and listen to what could have been, and maybe learn a little bit about why things didn't quite pan out the way they could have.
--Suite from "Night and the City" (1950) --Benjamin Frankel--Suite from "Night and the City" (1950) --Franz Waxman--Main Title from "Forbidden Planet" (1956) --David Rose--The Mountain from "The Bible" (1966) --Ennio Morricone--Main Title from "Frenzy" (1972) --Henry Mancini--Alien Landing, Out Back & The Vial from "Alien Nation" (1988) --Jerry Goldsmith
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 61: 2022 Hangover Blues.

Lee is trying to regroup from a rough last couple of months, so he is starting off 2023 by looking at music from some of the best first-time watches of 2022 in order to conjure up some good memories for that year.
--Suite from "Dr, Jekyll and Sister Hyde" (1971) --David Whitaker--Something's Mighty Mighty Wrong & That's What Love Will Do from "Three the Hard Way" (1974) --The Impressions--Suite from "Visiting Hours" (1982) --Johnathan Goldsmith--I Was Looking for You & Telescope from "Body Double" (1984) --Pino Donaggio--End Titles from "52 Pick-Up" (1986) --Gary Chang--Arrivals from "Extreme Prejudice" (1987) --Jerry Goldsmith--Scrooge from "The Muppet Christmas Carol" (1992) --Composed by Paul Williams, performed by The Muppets--Tarot from "Woodlands Dark and Days Bewitched: A History of Folk Horror" (2021) --Andrew Brown--It's in the Cloud & Arena Attack from "Nope" (2022) --Michael Abels
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 60: Music from Year-End Watches & Screenings of 2022.

Lee is back to end off 2022 with a playlist comprised of a mix of recent private watches, and films he screened for watch parties he's held in the last couple of months.
--The Call from "Blacula" (1972) --Gene Page--There He is Again from "Blacula" (1972) --The Hues Corporation--Opening Theme from "Messiah of Evil" (1973) --Phillan Bishop--Hold on to Love from "Messiah of Evil" (1973) --Raun Mackinnon--Assault On Precinct 13 (Main Title) from "Assault on Precinct 13" (1976) --John Carpenter--San Antone from "Rolling Thunder" (1977) --Denny Brooks--Main Title & The Reckoning from "Invasion of the Body Snatchers" (1978) --Denny Zeitlin--Opening Theme from "The Boogey Man" (1980) --Tim Krog--Main Title; The Battle Begins & Destruction of Hammerhead from "Battle Beyond the Stars" (1980) --James Horner--Main Title from "The Challenge" (1982) --Jerry Goldsmith
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

TMBDOS! Radio: Lee Van Teeth Halloween Show 2022.

The air is cold and the moon is right, so that means Lee Van Teeth can make his return for this Halloween night! Sit back and enjoy two hours of creepy hits, ghoulish film trailers, and chilling commercials with the last real Wolfman of rock radio."I'm the Wolfman" -- Round Robin"Werewolf" -- Carl Bondafede"Strolling After Midnight" -- The Shades"Graveyard" -- Phantom 5"Graveyard Ghost" -- Chuck & Oneda Harding"Corpse Grinder" -- The Meteors"Bigfoot" -- Don Jones"Serpents & Spiders" -- Jimmy Friis & The Valiants"Boris the Spider" -- The Who"Okeefenokee" -- The Holly Twins"You Don't Know Me" -- Deadbolt"Insecto" -- Deadbolt"Rockabilly Funeral" -- Deadbolt"Hank Watson Stalks the Earth" -- Deadbolt"Don't Be Afraid of the Dark" -- The Sonics"The Booga Man" -- The Poindexter Brothers"The House on the Hill" -- The Mummies"The Sorcerer" -- Johnny Thompson & The One-Eyed Jacks"One-Eyed Witch" -- The 7th Court"Somebody Put a Hex on Me" -- Isaac Rother & The Phantoms"Ghoulish Love" -- Isaac Rother & The Phantoms"Cool Ghoul" -- The 3-D Invisibles"Nosferatu" -- The 3-D Invisibles"Can't Find My Mind" -- The Cramps"The Whip" -- The Creeps"March of the Martians" -- Jacques Perrey & Harry Breuer"Screaming Pt.2" -- The Metropolitans"I Was a Teenage Monster" -- The Keytones"The Horror Show" -- Sharkey Todd"Wombie Zombie" -- Billy Taylor"Nightrider" -- XISTS"In the Doorway" -- The Misfits"Earth A.D." -- The Misfits"Bloodfeast" -- The Misfits

Blood on the Tracks Episode 59: Cinematic Dreams of Tangerines.

This month Lee decided to finally do a deeper dive on the sensational electronic musical act Tangerine Dream, creating a playlist from the film scores/soundtracks they worked on in what he considers their classic period, 1977-1989.
--The Call & Betrayal from "Sorcerer" (1977)--Igneous & Beach Theme from "Thief" (1981)--Horror in the Bathroom from "Strange Behavior" (1981)--Cue #4 from "The Soldier" (1982)--The Challenger's Arrival from "The Keep" (1983)--Sunset Drive from "Wavelength" (1983)--No Future (Get Off the Babysitter) from "Risky Business" (1984)--Out of the Heat from "Firestarter" (1984)--The Final Confrontation from "The Park is Mine" (1984)--Dirty Crossroads from "Flashpoint" (1984)--Heartbreakers from "Heartbreakers" (1985)--Cottage & Darkness from "Legend" (1986)--Paddles: Stolen Pills from "Deadly Care" (1987)--Bonding by Candlelight from "Three O'Clock High" (1987)--Bus Station from "Near Dark" (1988)--Shy People from "Shy People" (1988)--Teetering Scales & After the Call from "Miracle Mile" (1989)--Emperor's Castle from "Destination Berlin" (1989)
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 58: Music from Recent Horror Watches.

Lee got busy this month and comes back with a bit of an easier show to do. This month he's back with another playlist compiled from a handful of recent horror watches that he's enjoyed.
--Main Title; The Living Dead & The Relic Ship/Aboard the Relic Ship from "Planet of the Vampires" (1965) --Gino Marinuzzi, Jr.--Track 2 from "The Freakmaker" (1974) --Basil Kirchin--Goodbye Eddie, Goodbye & Somebody Super Like You from "Phantom of the Paradise" (1974) --Paul Williams (Performed by Jeffrey Comanor, Archie Hahn and Peter Elbling as The Juicy Fruits & The Undead)--Faust & The Hell of It from "Phantom of the Paradise" (1974) --Paul Williams--Main Theme from "Blue Sunshine" (1978) --Charles Gross--Opening Titles from "House" (1986) --Harry Manfredini--Opening Theme from "I Come in Peace" (1990) --Jan Hammer--Oui, Oui, Marie from "X" (2022) --Chelsea Wolfe
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 57: Unused Scores Part 1.

Since film first began to have music accompanying it, be it played live in a theatre during the screening of a silent film, or just being part of the soundtrack of the film itself, as we are all familiar with today, scores have been written, recorded, and then thrown away, usually by directors and producers, for various reasons. This week Lee has decided to set foot on the tip of the iceberg that is unused film scores. He anticipates many more episodes on this topic to come in the future.
--The Foraging & The Dawn of Man from "2001: A Space Odyssey" (1968) --Alex North; Conducted by Jerry Goldsmith--Main Titles from "Chinatown" (1969) --Phillip Lambro--Suite & Rock Ballad from "The Exorcist" (1973) --Lalo Schifrin--Into the Jungle; Delta & Orange Light from "Apocalypse Now" (1979) --David Shire--The Morgue from "Wolfen" (1981) --Craig Safan--Main Titles from "Something Wicked this Way Comes" (1983) --Georges Delerue--Hellraiser Theme; The Hellbound Heart & Box Theme from "Hellraiser" (1987) --Coil
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 56: Popol Vuh Scores for Werner Herzog Films.

This month Lee takes a casual look into one of his favourite musical artists who often composed scores for film. That would be Florian Fricke, the leader and central creative force behind the musical collective known as Popol Vuh. Popol Vuh created music both in the studio for their own releases and to score several films, most notably in collaboration with prolific film maker Werner Herzog. In this episode Lee plays some of his favourite tracks from those collaborations with Herzog (at least from the ones he could source). To spare you Lee's terrible pronunciations of German titles, he does none of the usual intros to the tracks this episode, and reserves his general comments to the opening of the show.
--Aguirre I (l'acrime di rei & Flöte); Morgengruss II; & Agnus Dei from "Aguirre, the Wrath of God" (1972)--Tracks 1 & 4 from "The Great Ecstasy of the Woodcarver Steiner" (1975)--Engel Der Gegenwart & Hüter Der Schwelle from "Heart of Glass" (1976)--Brüder Des Schattens; Mantra 2; & Die Nacht Der Himmel from "Nosferatu the Vampyre" (1979)--Wehe Khorazin & Im Garten der Gemeinschaft from "Fitzcarraldo" (1982)--Der Tod des Cobra Verde from "Cobra Verde" (1988)
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 55: Amicus Audio Anthology Part 3.

Lee returns to finish off his look at the music from the films of Amicus Productions. The material covered here comes from their peak and rapid decline. While the films may have started to lower in quality by the mid-1970s, it can be argued that the scores and soundtracks were still top notch. Listen in, and Lee believes you'll agree with him.--Toccata & Fugue in D Minor from "Tales from the Crypt" (1972) --Johann Sebastian Bach; adapted by Douglas Gamley--Night on Bald Mountain and excerpt from Pictures at an Exhibition II: Gnomus from "Asylum" (1972) --Modest Mussorgsky; adapted by Douglas Gamley--Main Title and Suite from "The Vault of Horror" (1973) --Douglas Gamley--Suite from "And Now the Screaming Starts!" (1973) --Douglas Gamley--Suite from "From Beyond the Grave" (1974) --Douglas Gamley--Main Title from "Madhouse" (1974) --Douglas Gamley--When Day is Done from "Madhouse" (1974)  --Vincent Price; music by Robert Katcher; lyrics by Buddy De Sylva --Main Title from "The Beast Must Die" (1974) --Douglas Gamley--Main Title and End Titles from "The Land that Time Forgot" (1975) --Douglas Gamley--Suite from "At the Earth's Core" (1976) --Mike Vickers--Suite from "The People that Time Forgot" (1977) --John Scott
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 54: Amicus Audio Anthology Part 2.

Lee continues his extended look into the scores and soundtracks of Amicus Productions. This episode covers the middle years, as horror becomes the primary focus, along with a few strange asides.
Check out the YouTube channel "Fish Man" that is the source of many of the suites featured in this and other episodes that I do. 
--Suite from "Torture Garden" (1967) --James Bernard--Suite from "They Came from Beyond Space (1967) --James Stevens--Suite from "The Terrornauts" (1967) --Elisabeth Lutyens--Danger Route from "Danger Route" (1967) --Lionel Bart--Scream and Scream Again from "Scream and Scream Again" (1970) --Amen Corner--Suite & Supernatural Slugfest from "Scream and Scream Again" (1970) --David Whitaker--Suite {Main Title/Prologue/Writing Horror/Seeing and Hearing Things/Philip Grayson/Remembering/The Vampire/Welcome to the Club/Epilogue/End Titles} from "The House that Dripped Blood" (1971) --Michael Dress--Suite from "I, Monster" (1971) --Carl Davis
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 53: Amicus Audio Anthology Part 1.

It's time for another multi-part series on Blood on the Tracks. This time out Lee is covering the filmography of Amicus Productions, who were most famous for their excellent horror anthology films in the 1960s and 1970s. But they did so much more, and Lee is going to explore their output through the music that was featured in their films.
--Spaceship to Mars from "It's Trad, Dad!" (1962) --Gene Viincent--Sweet Boy from "Just for Fun" (1963) --Clodagh Rodgers--Suite from "Dr. Terror's House of Horrors" (1965) --Elisabeth Lutyens--Daleks and Thals & The Eccentric Dr. Who from "Dr. Who and the Daleks" (1965) --Malcolm Lockyer--Suite from "The Skull" (1965) --Elisabeth Lutyens--Daleks and Robomen from "Dalek's Invasion Earth 2150 A.D." (1966) --Bill McGuffie--Suite from "The Psychopath" (1966) --Elisabeth Lutyens--Main & End Titles from "The Deadly Bees" (1966) --Wilfred Josephs
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.