Blood on the Tracks Episode 61: 2022 Hangover Blues.

Lee is trying to regroup from a rough last couple of months, so he is starting off 2023 by looking at music from some of the best first-time watches of 2022 in order to conjure up some good memories for that year.
--Suite from "Dr, Jekyll and Sister Hyde" (1971) --David Whitaker--Something's Mighty Mighty Wrong & That's What Love Will Do from "Three the Hard Way" (1974) --The Impressions--Suite from "Visiting Hours" (1982) --Johnathan Goldsmith--I Was Looking for You & Telescope from "Body Double" (1984) --Pino Donaggio--End Titles from "52 Pick-Up" (1986) --Gary Chang--Arrivals from "Extreme Prejudice" (1987) --Jerry Goldsmith--Scrooge from "The Muppet Christmas Carol" (1992) --Composed by Paul Williams, performed by The Muppets--Tarot from "Woodlands Dark and Days Bewitched: A History of Folk Horror" (2021) --Andrew Brown--It's in the Cloud & Arena Attack from "Nope" (2022) --Michael Abels
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 60: Music from Year-End Watches & Screenings of 2022.

Lee is back to end off 2022 with a playlist comprised of a mix of recent private watches, and films he screened for watch parties he's held in the last couple of months.
--The Call from "Blacula" (1972) --Gene Page--There He is Again from "Blacula" (1972) --The Hues Corporation--Opening Theme from "Messiah of Evil" (1973) --Phillan Bishop--Hold on to Love from "Messiah of Evil" (1973) --Raun Mackinnon--Assault On Precinct 13 (Main Title) from "Assault on Precinct 13" (1976) --John Carpenter--San Antone from "Rolling Thunder" (1977) --Denny Brooks--Main Title & The Reckoning from "Invasion of the Body Snatchers" (1978) --Denny Zeitlin--Opening Theme from "The Boogey Man" (1980) --Tim Krog--Main Title; The Battle Begins & Destruction of Hammerhead from "Battle Beyond the Stars" (1980) --James Horner--Main Title from "The Challenge" (1982) --Jerry Goldsmith
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 59: Cinematic Dreams of Tangerines.

This month Lee decided to finally do a deeper dive on the sensational electronic musical act Tangerine Dream, creating a playlist from the film scores/soundtracks they worked on in what he considers their classic period, 1977-1989.
--The Call & Betrayal from "Sorcerer" (1977)--Igneous & Beach Theme from "Thief" (1981)--Horror in the Bathroom from "Strange Behavior" (1981)--Cue #4 from "The Soldier" (1982)--The Challenger's Arrival from "The Keep" (1983)--Sunset Drive from "Wavelength" (1983)--No Future (Get Off the Babysitter) from "Risky Business" (1984)--Out of the Heat from "Firestarter" (1984)--The Final Confrontation from "The Park is Mine" (1984)--Dirty Crossroads from "Flashpoint" (1984)--Heartbreakers from "Heartbreakers" (1985)--Cottage & Darkness from "Legend" (1986)--Paddles: Stolen Pills from "Deadly Care" (1987)--Bonding by Candlelight from "Three O'Clock High" (1987)--Bus Station from "Near Dark" (1988)--Shy People from "Shy People" (1988)--Teetering Scales & After the Call from "Miracle Mile" (1989)--Emperor's Castle from "Destination Berlin" (1989)
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 58: Music from Recent Horror Watches.

Lee got busy this month and comes back with a bit of an easier show to do. This month he's back with another playlist compiled from a handful of recent horror watches that he's enjoyed.
--Main Title; The Living Dead & The Relic Ship/Aboard the Relic Ship from "Planet of the Vampires" (1965) --Gino Marinuzzi, Jr.--Track 2 from "The Freakmaker" (1974) --Basil Kirchin--Goodbye Eddie, Goodbye & Somebody Super Like You from "Phantom of the Paradise" (1974) --Paul Williams (Performed by Jeffrey Comanor, Archie Hahn and Peter Elbling as The Juicy Fruits & The Undead)--Faust & The Hell of It from "Phantom of the Paradise" (1974) --Paul Williams--Main Theme from "Blue Sunshine" (1978) --Charles Gross--Opening Titles from "House" (1986) --Harry Manfredini--Opening Theme from "I Come in Peace" (1990) --Jan Hammer--Oui, Oui, Marie from "X" (2022) --Chelsea Wolfe
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 57: Unused Scores Part 1.

Since film first began to have music accompanying it, be it played live in a theatre during the screening of a silent film, or just being part of the soundtrack of the film itself, as we are all familiar with today, scores have been written, recorded, and then thrown away, usually by directors and producers, for various reasons. This week Lee has decided to set foot on the tip of the iceberg that is unused film scores. He anticipates many more episodes on this topic to come in the future.
--The Foraging & The Dawn of Man from "2001: A Space Odyssey" (1968) --Alex North; Conducted by Jerry Goldsmith--Main Titles from "Chinatown" (1969) --Phillip Lambro--Suite & Rock Ballad from "The Exorcist" (1973) --Lalo Schifrin--Into the Jungle; Delta & Orange Light from "Apocalypse Now" (1979) --David Shire--The Morgue from "Wolfen" (1981) --Craig Safan--Main Titles from "Something Wicked this Way Comes" (1983) --Georges Delerue--Hellraiser Theme; The Hellbound Heart & Box Theme from "Hellraiser" (1987) --Coil
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 56: Popol Vuh Scores for Werner Herzog Films.

This month Lee takes a casual look into one of his favourite musical artists who often composed scores for film. That would be Florian Fricke, the leader and central creative force behind the musical collective known as Popol Vuh. Popol Vuh created music both in the studio for their own releases and to score several films, most notably in collaboration with prolific film maker Werner Herzog. In this episode Lee plays some of his favourite tracks from those collaborations with Herzog (at least from the ones he could source). To spare you Lee's terrible pronunciations of German titles, he does none of the usual intros to the tracks this episode, and reserves his general comments to the opening of the show.
--Aguirre I (l'acrime di rei & Flöte); Morgengruss II; & Agnus Dei from "Aguirre, the Wrath of God" (1972)--Tracks 1 & 4 from "The Great Ecstasy of the Woodcarver Steiner" (1975)--Engel Der Gegenwart & Hüter Der Schwelle from "Heart of Glass" (1976)--Brüder Des Schattens; Mantra 2; & Die Nacht Der Himmel from "Nosferatu the Vampyre" (1979)--Wehe Khorazin & Im Garten der Gemeinschaft from "Fitzcarraldo" (1982)--Der Tod des Cobra Verde from "Cobra Verde" (1988)
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 55: Amicus Audio Anthology Part 3.

Lee returns to finish off his look at the music from the films of Amicus Productions. The material covered here comes from their peak and rapid decline. While the films may have started to lower in quality by the mid-1970s, it can be argued that the scores and soundtracks were still top notch. Listen in, and Lee believes you'll agree with him.--Toccata & Fugue in D Minor from "Tales from the Crypt" (1972) --Johann Sebastian Bach; adapted by Douglas Gamley--Night on Bald Mountain and excerpt from Pictures at an Exhibition II: Gnomus from "Asylum" (1972) --Modest Mussorgsky; adapted by Douglas Gamley--Main Title and Suite from "The Vault of Horror" (1973) --Douglas Gamley--Suite from "And Now the Screaming Starts!" (1973) --Douglas Gamley--Suite from "From Beyond the Grave" (1974) --Douglas Gamley--Main Title from "Madhouse" (1974) --Douglas Gamley--When Day is Done from "Madhouse" (1974)  --Vincent Price; music by Robert Katcher; lyrics by Buddy De Sylva --Main Title from "The Beast Must Die" (1974) --Douglas Gamley--Main Title and End Titles from "The Land that Time Forgot" (1975) --Douglas Gamley--Suite from "At the Earth's Core" (1976) --Mike Vickers--Suite from "The People that Time Forgot" (1977) --John Scott
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 54: Amicus Audio Anthology Part 2.

Lee continues his extended look into the scores and soundtracks of Amicus Productions. This episode covers the middle years, as horror becomes the primary focus, along with a few strange asides.
Check out the YouTube channel "Fish Man" that is the source of many of the suites featured in this and other episodes that I do. 
--Suite from "Torture Garden" (1967) --James Bernard--Suite from "They Came from Beyond Space (1967) --James Stevens--Suite from "The Terrornauts" (1967) --Elisabeth Lutyens--Danger Route from "Danger Route" (1967) --Lionel Bart--Scream and Scream Again from "Scream and Scream Again" (1970) --Amen Corner--Suite & Supernatural Slugfest from "Scream and Scream Again" (1970) --David Whitaker--Suite {Main Title/Prologue/Writing Horror/Seeing and Hearing Things/Philip Grayson/Remembering/The Vampire/Welcome to the Club/Epilogue/End Titles} from "The House that Dripped Blood" (1971) --Michael Dress--Suite from "I, Monster" (1971) --Carl Davis
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 53: Amicus Audio Anthology Part 1.

It's time for another multi-part series on Blood on the Tracks. This time out Lee is covering the filmography of Amicus Productions, who were most famous for their excellent horror anthology films in the 1960s and 1970s. But they did so much more, and Lee is going to explore their output through the music that was featured in their films.
--Spaceship to Mars from "It's Trad, Dad!" (1962) --Gene Viincent--Sweet Boy from "Just for Fun" (1963) --Clodagh Rodgers--Suite from "Dr. Terror's House of Horrors" (1965) --Elisabeth Lutyens--Daleks and Thals & The Eccentric Dr. Who from "Dr. Who and the Daleks" (1965) --Malcolm Lockyer--Suite from "The Skull" (1965) --Elisabeth Lutyens--Daleks and Robomen from "Dalek's Invasion Earth 2150 A.D." (1966) --Bill McGuffie--Suite from "The Psychopath" (1966) --Elisabeth Lutyens--Main & End Titles from "The Deadly Bees" (1966) --Wilfred Josephs
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 52: Those Fab Fake Musical Acts - Addendum.

Due to some time constraints this month Lee's back with a slightly shorter show than usual. This time out he's compiled an addendum to the previous episode, which was about fictional bands and solo artists featured in films. This list was all taken from the list of tracks he had to cut from the original over-stuffed track list for that episode. He felt these were all too good to ignore.
--Lunar Madness from "Vicious Lips" (1986) --Vicious Lips (Sue Saad and the Next) --Touch Me, I'm Dick from "Singles" (1992) --Citizen Dick (Pearl Jam)--Wie Glauben/Techno Pop from "The Big Lebowski" (1998) --Autobahn (Carter Burwell)--Love Comes and Goes from "Almost Famous" (2000) --Stillwater (Nancy Wilson, Cameron Crowe, Peter Frampton, Marti Frederiksen, & Mike McCready)--Old Joe's Place from "A Mighty Wind" (2003) --The Folksmen (Harry Shearer, Christopher Guest, & Michael McKean)--Sitting in a Car & My Friend (You Cunt) from "Brother of the Head" (2005) --The Bang-Bang (Luke Treadaway, Harry Treadaway & Clive Langer)--Uh-Huh & Yes Man from "Yes Man" (2008) --Munchausen by Proxy (Zooey Deschanel & Von Iva)--We Are Sex Bob-Omb & Summertime from "Scott Pilgrim vs. the World" (2010) --Sex Bob-Omb (Michael Cera, Mark Webber, Alison Pill, Beck Hanson)
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 51: Those Fab Fake Musical Acts.

The cursed year that was 2021 has come to an end and Lee felt like going out on a more positive note. In this mega-sized episode he's compiled a list of tracks from fictional bands and musical artists that have appeared in films. Lots of research went into this one, as Lee tries to give credit where credit is due to the people behind the fictional acts. Be it totally made up acts, parody acts that came before their film debuts, or if they actually formed later on in real life, Lee tries to cover a little of everything. He found that there's still many he could cover in later episodes, so he just might. Happy New Year, and thanks for the continued support of the show!
--Sweet Talkin' Candyman & In the Long Run from "Beyond the Valley of the Dolls" (1970) --The Kelly Affair/The Carrie Nations (Lynn Carey & Barbara Robison; Stu Phillips)--Kipper & The Clapham from "Confessions of a Pop Performer" (1975) --Kipper (Ed Welch, Dominic Bugatti & Frank Musker)--Cantina Band from "Star Wars: Episode IV - A New Hope" (1977) --Figrin D'an and the Modal Nodes (John Williams)--Cheese and Onions from "The Rutles" (1978) --The Rutles (Ollie Halsall, John Altman, John Halsey, Ricky Fataar; Neil Innes)--Shama Lama Ding Dong from "Animal House" (1978) --Otis Day and the Knights (Lloyd G. Williams; Mark Davis)--She Caught the Katy from "The Blues Brothers" (1980) --The Blues Brothers (John Belushi & Dan Aykroyd; Taj Mahal & James Rachell)--Everybody Needs Somebody to Love from "The Blues Brothers" (1980) --The Blues Brothers (John Belushi & Dan Aykroyd; Bert Berns, Solomon Burke & Jerry Wexler)--Join the Professionals from "Ladies and Gentlemen, The Fabulous Stains" (1982) --The Stains (Diane Lane; Paul Cook & Steve Jones)--Waste of Time from "Ladies and Gentlemen, The Fabulous Stains" (1982) --The Stains (Diane Lane; Barry Ford & Nancy Dowd)--Conned Again from "Ladies and Gentlemen, The Fabulous Stains" (1982) --The Looters (Paul Cook & Steve Jones)--My Name is Mok from "Rock & Rule" (1983) --Mok (Lou Reed)--Angel's Song from "Rock & Rule" (1983) --Angel (Debby Harry)--You Can't Take No for an Answer from "The Muppets Take Manhattan" (1984) --Dr. Teeth and the Electric Mayhem (Jim Henson & Jeff Moss)--The Banzai Jam from "The Adventures of Buckaroo Banzai Across the 8th Dimension" (1984) --Buckaroo Banzai And The Hong Kong Cavaliers (Michael Boddicker)--Stonehenge from "This is Spinal Tap" (1984) --Spinal Tap (Christopher Guest, Michael McKean, Harry Shearer & Rob Reiner)--Stand Up from "Trick Or Treat" (1986) --Sammi Curr (Fastway)--Energy from "Rock 'n' Roll Nightmare" (1987) --The Tritonz (Thor; Peppi Marchello)--Against the Ninja from "Miami Connection" (1987) --Dragon Sound (Angelo Janotti & Kathy Collier)--Dance on Fire from "Black Roses" (1988) --Black Roses (King Kobra)--Something's Gonna Die Tonight & Who the Hell Do You Think You Are? from "Hard Core Logo" (1996) --Hard Core Logo (Hugh Dillon & Swamp Baby)--Pina Coladaburg from "Club Dread" (2004) --Coconut Pete (Bill Paxton, Nathan Barr)--Inside of You from "Forgetting Sarah Marshall" (2008) --Infant Sorrow (Russell Brand; Jason Segel, Peter Salett & Lyle Workman)--What Have I Become from "Green Room" (2015) --The Aint Rights (Anton Yelchin, Alia Shawkat, Joe Cole, Callum Turner; Human Brains)
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 50: Music from Recent Watches.

In this episode Lee takes a slightly different route. This time out it's a playlist pulled from the soundtrack and scores of recent watches by Lee over the last few months.
--Windsor Concerto from "The Whip and the Body" (1963) --Carlo Rustichelli--Main Theme from "Kill, Baby... Kill!" (1966) --Carlo Rustichelli--Bank Robbery & Last of the Independents from "Charley Varrick" (1973) --Lalo Schifrin--Underwater from "Female Trouble" (1974) --The Frogmen--Main Theme from "Female Trouble" (1974) --Divine & Bob Harvey--The Pilgrim, Chapter 33 from "Cisco Pike" (1971) --Kris Kristofferson--Combat Drop & Ripley's Rescue from "Aliens" (1986) --James Horner--Here in the Darkness from "Sorority Babes in the Slimeball Bowl-O-Rama" (1988) --Greg Stone--All Out of Bubblegum & Wake Up from "They Live" (1988) --John Carpenter & Alan Howarth--The Breakup Song from "Let Me In" (2010) --The Greg Kihn Band--So Busted from "The Suicide Squad" (2021) --Culture Abuse
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

Blood on the Tracks Episode 49: Lee Van Teeth‘s ”Halloween” Picks.

Facing several set-backs this year, he still couldn't be held down! Lee Van Teeth returns to take over TMBDOS! Radio and Blood on the Tracks once again for Halloween. This time out he presents his favourite musical selections from the long-running "Halloween" film franchise. What made the cut and what is best left forgotten on this larger than usual BotT episode? Tune in with the Wolf Man to find out!
--Halloween Theme & Lights Out from "Halloween" (1978) --John Carpenter--Don't Fear the Reaper from "Halloween" (1978) --Blue Oyster Cult--Halloween II Theme & Laurie's Theme from "Halloween II" (1981) --John Carpenter--Mr. Sandman from "Halloween II" (1981) --The Chordettes--The Man Who Killed; A Pleasure Doing Business; I Really Love This; & Local Boy, No Way from "Halloween III: Season of the Witch" (1982) --John Carpenter & Alan Howarth--In the Shadows & Shape Attack from "Halloween 4: The Return of Michael Myers" (1988) -- Alan Howarth--The Shape Also Rises from "Halloween 5: The Revenge Of Michael Myers" (1989) --Alan Howarth--Across the Street & Thorn Runes from "Halloween: The Curse of Michael Myers " (1995) --Alan Howarth--Halloween Theme from "Halloween" (2007) --Tyler Bates--White Horse from "Halloween II" (2009) --Tyler Bates--Nights In White Satin from "Halloween II" (2009) --The Moody Blues--Say Something & Trap The Shape from "Halloween" (2018) --John Carpenter, Cody Carpenter, & Daniel Davies--Close to Me from "Halloween" (2018) --Heavy Young Heathens--Gather the Mob from "Halloween Kills" (2021) --John Carpenter, Cody Carpenter, & Daniel Davies--I’m the Wolf from "Halloween Kills" (2021) --Fayna & The Lunarchicks--It’s Halloween (Stop Look and Listen) from "Halloween Kills" (2021) --Pete Antell
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Blood on the Tracks Episode 48: Best of British Crime.

Lee is back this episode giving you a playlist compiled from the soundtracks and scores for his favourite British crime films of the last 50 years.
--It's Caper Time from "The Italian Job" (1969) --Quincy Jones--Dyed, Dead, and Read from "Performance" (1970) --Jack Nitzsche--The Hashishin from "Performance" (1970) --Ry Cooder--Excerpt from "Villain" (1971) --Jonathan Hodge--Getting Nowhere in a Hurry from "Get Carter" (1971) --Roy Budd--Main Theme from "Sitting Target" (1972) --Stanley Myers--No Respectable Gentleman/A Relentless Suitor from "The First Great Train Robbery" (1978) --Jerry Goldsmith--Main Title & The Scene is Set from "The Long Good Friday" (1980) --Francis Monkman--The Hit from "The Hit" (1984) --Roger Waters & Eric Clapton--Daddy Rollin' Stone from "Sexy Beast" (2000) --Derek Martin--Peaches from "Sexy Beast" (2000) --The Stranglers--Lujon from "Sexy Beast" (2000) --Henry Mancini--Golden Brown from "Snatch" (2000) --The Stranglers--Drugs Den from "Harry Brown" (2009) --Peter Tong & Paul Rogers
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Blood on the Tracks Episode 47: The Atomic 1950s.

The Atomic age is upon Blood on the Tracks this month as all sorts of strange radiation-born monsters are invading the perfect utopia that was the 1950s *cough-cough*. Anyway, it was a great decade to be a sci-fi and horror fan, and it was a decade that produced a lot of great film scores. Lee curates a playlist that reflects some of the best examples of this fact, in his opinion.
--Main Title from "The Beast from 20,000 Fathoms" (1953) --David Buttolph--Main Title & Fury of Godzilla from "Godzilla" (1954) --Akira Ifukube--Blasted Arachnid from "Tarantula" (1955) --Henry Mancini & Herman Stein--Suite from "Beginning of the End" (1957) --Albert Glasser--Orchestral Suite 8 from "The Amazing Colossal Man" (1957) --Albert Glasser--Main Title from "Attack of the Crab Monsters" (1957) --Ronald Stein--Homura Club - Background Music #1 from "The H-Man" (1958) --Masaru Satoh--Main Titles & End Titles from "Fiend Without a Face" (1958) --Buxton Orr--Suite from "The Atomic Submarine" (1959) -- Alexander Laszlo
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Blood on the Tracks Episode 46: TMBDOS! Grab Bag 3 - The Grab-baggening.

It's been a busy summer so far for Lee, so he's half-assing it a bit on this episode and presenting another TMBDOS! grab bag episode, featuring soundtrack and score selections found on more recent episodes of the They Must Be Destroyed On Sight! podcast.
--Day of the Dead from "Day of the Dead" (1985) --John Harrison (Episode 200)--Theme from Southern Comfort from "Southern Comfort" (1981) --Ry Cooder (Episode 201)--Main Theme from "The Final Terror" (1983) --Susan Justin (Intermission 26)--The Hit from "Q & A" (1990) --Ruban Blades (Episode 205)--Hardly Wait from "Strange Days" (1995) --Juliette Lewis (Episode 206)--Samurai Theme from "Ghost Dog: The Way of the Samurai" (1999) --The RZA (Episode 208)--Main Title from "The Bride of Frankenstein" (1935) --Franz Waxman (Episode 218)--Main Theme from "Blood Song" (1982) --Robert J. Walsh (Intermission 28)--End Credits from "Alligator" (1980) --Craig Hundley (Episode 222)--Faster Pussycat! from "Faster Pussycat! Kill! Kill!" (1965) --The Bostweeds (Episode 223)--I Can't Turn You Loose from "C.C. & Company" (1970) --Wayne Cochran and the C.C. Ryders (Episode 224)--Endless Sleep from "Multiple Maniacs" (1970) --Jody Reynolds (Intermission 30)--Righteous Rocker #1 from "Knives Out!" (2019) --Larry Norman (Episode 227)--Inscriptio from "Dr. Phibes Rises Again" (1972) --John Gale (Intermission 32)--Bola from "The Act of Killing" (2012) --Ona Sutra (Episode 231)--Les Damnes from "Jabberwocky" (1977) --Pierre Arvay (Episode 235)
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Blood on the Tracks Episode 45: Guido & Maurizio De Angelis/Oliver Onions Part 3.

Lee is back in a super-sized episode, finishing off his look at the prolific contributions to film music from the talented duo of Guido & Maurizio De Angelis, AKA: Oliver Onions.
--Seq. 1 & Temi di Laura from "My Father's Wife" (1976)--Main Theme from "Cop in Blue Jeans" (1976)--Caccia All'uomo, Pt. 1 & Il Grande Racket, Pt. 1 from "The Big Racket" (1976)--Nata Leri from "Due sul Pianerottolo" (1976) -- Vocals by Rita Pavone--Main Theme from "Safari Express" (1976)--The Shadow of the Killer from "Death Rage" (1976)--Keoma (Harmonica) & Keoma from "Keoma" (1976) -- Vocals by Sybil & Guy--Hombres Del Mar; Arrembaggio; Yara & from The Black Corsair (1976)--Main Theme from "Mr. Robinson" (1976)--Notti Romane from "Messalina, Messalina!" (1977)--Wolf from "A Man Called Blade" (1977) -- Vocals by Cesare De Natale--Main Titles from "Goodbye & Amen" (1977)--Bulldozer from "Bulldozer" (1978)--Brotherly Love from "Odds and Evens" (1978)--Killer Fish (Instrumental) from "Killer Fish" (1979)--Sheriff from "The Sheriff and the Satellite Kid" (1979)--Main Theme "The Shark Hunter" (1979)--Descent into the Abyss from "Alien 2: On Earth" (1979)--Seq. 6 & Seq. 8 from "The Last Shark" (1981)--Main Theme from "Banana Joe" (1982)--Fantasy from "Bomber" (1982)--Seq. 1 from "2019: After the Fall of New York" (1983)--Main Theme from "A Blade in the Dark" (1983)--Black Inferno from "The Raiders of Atlantis" (1983)--The Final Battle from "Yor, the Hunter from the Future" (1983)
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Blood on the Tracks Episode 44: Guido & Maurizio De Angelis/Oliver Onions Part 2.

Lee is back with the second part of his look into the scores and soundtrack work of the prolific brothers Guido & Maurizio De Angelis, AKA: Oliver Onions. In this episode he had his work cut out for him, as the brothers seemingly worked non-stop in the mid-to-late 1970s.
--Angels and Beans from "Even Angels Eat Beans" (1973)--Main Titles from "Giovannona Long-Thigh" (1973)--And Life Goes On from "The Violent Professionals" (1973)--Freedom Rainbow from "Chino" (1973)--Schoolroom Drug from "The Knock Out Cop" (1973)--(I'm) Football Crazy from "Playing the Field" (1974)--Dune Buggy from "Watch Out, We're Mad! (1974)--Una Vita a Metà & ...MMM!?! from "The Beast" (1974)--Main Titles; Goodbye My Friend & Driving All Around from "Street Law" (1974)--Appostamento & Morto Di Giornata from "Flatfoot in Hong Kong" (1975)--New Special Squad from "Violent City" (1975)
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Blood on the Tracks Episode 43: Guido & Maurizio De Angelis/Oliver Onions Part 1.

Lee is back this episode with part one of a three-part look at the film music of the prolific Italian duo of Guido & Maurizio De Angelis, AKA: Oliver Onions.
--Trinity Stand Tall from "Trinity is Still My Name" (1971)--Kerry from "Trastevere" (1971)--Main titles from "Il Sindacalista" (1972)--Fortuna si, Fortuna no from "The Terror with Cross-Eyes" (1972) -- Vocals by Enrico Montesano--Don't Lose Control from "Man of the East" (1972) --Sounds and Voices from "Father Jackleg" (1972)--Flying Through The Air & Plata and Salud from "All the Way, Boys!" (1972)--Afyon & I Picciotti from "The Sicilian Connection" (1972)--Excerpt from "Tales of Canterbury" (1973)--I Corpi Delle Vittime; Il Primo Omicido; Universita; & Corpi Smembrati from "Torso" (1973)
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

BLOOD ON THE TRACKS EPISODE 42: 1970S ANIMAL ATTACK FILMS PART 3.

Lee's back for part three of his look at the scores and soundtracks of 1970s animal attack films, this time finding the few gems that round-out the decade.
--Theme from "Long Weekend" (1977) --Michael Carlos--Peaceful Verde Valley from "Kingdom of the Spiders" (1977) --Dorsey Burnette--Excerpt from "Kingdom of the Spiders" (1977) --Jerry Goldsmith--Suite from "The Swarm" (1978) --Jerry Goldsmith--Excerpt from "Barracuda" (1978) --Klaus Schulze--Theme & Closing Titles from "Piranha" (1978) --Pino Donaggio--Suite from "Nightwing" (1979) --Henry Mancini--The Monster Attack & End Credits from "Prophecy" (1979) --Leonard Rosenman
Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.