Blood on the Tracks Episode 80: Sucking in the 1970s (70s Vampire Films).

This month, as we get closer to spooky season, Lee has crafted a quick and dirty playlist revolving around vampire films from the 1970s. Greats like Dracula, Yorga, Barlow, Blacula, and several other lesser known blood suckers are featured. Lee talks less than usual on this one, so you the listener gets to the music faster! The Wolfman Lee Van Teeth is taking over next month for his annual Halloween show, so catch you all again in November.
--Attack in the Woods from "The Vampire Lovers" (1970) --Harry Robinson--Wings of Death from "Scars of Dracula" (1970) --James Bernard--Blue Doll Baroque & Blue Quadrant from "The Nude Vampire" (1970) --Yvon Gerault--Le Frisson Des Vampires & The Memory of Eternal Darkness from "The Shiver of of the Vampires" (1971) --Acanthus--Psycho Contract Nr.1 from "Vampyros Lesbos" (1971) --Vampire Sound Inc.--Amour Sur Les Rails & Les Lèvres Rouges from "Daughters of Darkness" (1971) --François de Roubaix--Yorga's Storm from "Count Yorga, Vampire" (1971) --Bill Marx--The Night Stalker Theme/Kolchak at the Scene/Showdown from "The Night Stalker" (1972) --Robert Cobert--Blacula Strikes! from "Blacula" (1972) --Gene Page--Opening Theme & Torment from "Scream, Blacula Scream" (1973) --Bill Marx--You Got to Learn to Let it Go from "Ganja & Hess" (1973) --Sam Waymon--The Dream from "Lust for a Vampire" (1974) --Harry Robertson--Main Titles from "Captain Kronos – Vampire Hunter" (1974) --Laurie Johnson--More Blood from "Blood for Dracula" (1974) --Claudio Gizzi--The Calling from "Martin" (1977) --Donald Rubinstein--And Now Straker & Ralph is Floating from "Salem's Lot" (1979) --Harry Sukman--Fascination from "Fascination" (1979) --Philippe D'Aram--Mantra II (Choir) from "Nosferatu the Vampire" (1979) --Popol Vuh
Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Blood on the Tracks Episode 79: Grab Bag 5 - Bagnarok.

Another busy month equals another TMBDOS! Grab Bag episode of Blood on the Tracks! That's where Lee does the very lazy thing of building this episode's playlist from tracks found on official episodes of the They Must Be Destroyed On Site! podcast, and does very little talking about the music, if any at all. This playlist covers soundtrack and score selections found in various episodes between 265 and 314. Enjoy!
--Self Destruction from "Predator" (1987) --Alan Silvestri (Episode 265)--Brainscan (Main Theme) from "Brainscan" (1994) --George S. Clinton (Intermission #42)--Music at the Mall from "Cyborg" (1989) --Kevin Bassinson (Episode 275)--Medusa from "Clash of the Titans" (1981) --Laurence Rosenthal (Episode 279)--Piruliruli from "Little Rita of the West" (1967) --Rita Pavone & Lucio Dalla (Episode 281)--The Children from "Mad Max: Beyond Thunderdome" (1985) --Maurice Jarre (Episode 287)--Inseguita from "Baron Blood" (1972) --Stelvio Cipriani (Episode 288)--Troglomen from "When Men Carried Clubs and Women Played Ding-Dong" (1971) --Alluminogeni (Episode 292)--Vulcain from "Rabid" (1977) --Claude Vasori (Episode 297)--Running on the Beach from "Nightmare Beach" (1989) --Claudio Simonetti (Intermission #45)--Main Theme from "Dracula A.D. 1972" (1972) --Michael Vickers (Episode 298)--Main Title from "The Satanic Rites of Dracula" (1973) --John Cacavas (Episode 298)--You & Me from "Freebie and the Bean" (1974) --Dominic Frontiere & Bobby Hart (Episode 302)--Knights of the Night from "Opera" (1987) --Steel Grave (Episode 309)--Cowboy's Attack from "Battle Beyond the Stars" (1980) --James Horner (Episode 310)--Green Rocky Road from "Targets" (1968) --The Daily Flash (Episode 314)
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 78: Squatch Sounds.

This month Lee takes a look at music from films about possibly the world's most famous cryptid, the Sasquatch - or as it/they are better known in pop and general culture: Bigfoot. There are just so many films, especially in the last thirty years or so, that the list is focused on the real peak period of interest, the 1970s and 1980s. Even then this list threatened to be much larger than it ended up being, but a lot of the music was impossible to source. Still, Lee feels this list is large enough to pay proper tribute to that mythical(?) hairy giant in the woods.
--Main Theme from "Bigfoot" (1970) --Richard Podolor--The Legend of Boggy Creek from "The Legend of Boggy Creek" (1972) --Chuck Bryant & Earl E. Smith--Popcorn from "Shriek of the Mutilated" (1974) --Hot Butter--Ballad of McCullough's Mountain from "Blood Beast of Monster Mountain" (1975) --Tim York--Exits and Truckstops from "Creature from Black Lake" (1976) --Jim McCullough Jr.--High in the Mountains & Bigfoot Theme from "Sasquatch" (1976) --Lane Caudell & Al Capps--Suite from "Snowbeast" (1977) --Robert Prince--What's it Take to be a Believer from "In the Shadow of Big Foot" (1977) --Phillip Malbrough--Main Title from "Return to Boggy Creek" (1977) --Darrell Deck--Yeti from "Yeti: Giant of the 20th Century" (1977) --Sante Maria Romitelli feat. The Yetians--My Spirit Runs Free from "The Capture of Bigfoot" (1979) --Mitch Irish with The Friends--Sensuous Tiger from "The Capture of Bigfoot" (1979) --Mitch Irish & Patty Holzmann with The Friends--Suite from "Night of the Demon" (1980) --Dennis McCarthy--Love Lives On from "Harry and the Hendersons" (1987) --Joe Cocker--Keep on Climbing from "Cry Wilderness" (1987) --Ralph Ives(?)--Main & End Titles from "Demon Warp" (1988) --Dan Slider
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 77: Corman Chronicle Part 2.

Lee is back to cover musical selections from the films in the later half of Roger Corman's directing career, between the years 1963 to 1990.
--End Title from "The Raven" (1963) --Les Baxter--Main Theme from "The Haunted Palace" (1963) --Ronald Stein--Main Title Theme from "The Terror" (1963) --Ronald Stein--Prince Prospero & Prospero's Court from "The Masque of the Red Death" (1964) --David Lee--Main Title & End Title from "The Tomb of Ligeia" (1964) --Kenneth Jones--End Credits from "The Man with the X-Ray Eyes" (1963) --Les Baxter--Theme from The Wild Angels from "The Wild Angels" (1966) --The Visitors--Blue's Theme; Bongo Party; & The Wild Angels Ballad (Dirge) from "The Wild Angels" (1966) --Davie Allen and The Arrows--Midnight Rider from "The Wild Angels" (1966) --The Hands of Time--A Little Head; Flash, Bam, Pow; & Gettin' Hard from "The Trip" (1967) --The Electric Flag--Main Title from "The St. Valentines Day Massacre" (1967) --Fred Steiner--Dance Party & Wild Racers Theme from "The Wild Racers" (1968) --The Sidewalk Sounds--Opening Titles from "Target Harry" (1969) --Les Baxter--Bloody Mama from "Bloody Mama" (1970) --Big Foot--Bubble Gum Girl from "Gas-s-s-s" (1970) --Johnny & The Tornados--This is the Beginning from "Gas-s-s-s" (1970) --Robert Corff--Deathsport from "Deathsport" (1978) --Andy Stein--Main Titles from "Frankenstein Unbound" (1990) --Carl Davis
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 76: Corman Chronicle Part 1.

In this episode Lee pays tribute to the late Roger Corman by covering the soundtracks and scores of several of his directorial credits. In this first of a planed two-part series, the years 1957 to 1962 are looked at.
--Main Title from "Attack of the Crab Monsters" (1957) --Ronald Stein--Main Title from "Not of this Earth" (1957) --Ronald Stein--The Creep from "Carnival Rock" (1957) --The Shadows--Rock All Night & Rock 'n' Roll Guitar from "Rock All Night" (1957) --The Blockbusters--Main Titles from "Teenage Doll" (1957) --Walter Greene--Main Title from "Sorority Girl" (1957) --Ronald Stein--Hurry from "War of the Satellites" (1958) --Walter Greene--Suite from "Viking Women and the Sea Serpent" (1958) --Albert Glasser--Main Title & End Title from "Machine Gun Kelly" (1958) --Gerald Fried--Folk Song from "I, Mobster" (1959) --Gerald Fried--Suite from "A Bucket of Blood" (1959) --Fred Katz--Main Title from "The Wasp Woman" (1959) --Fred Katz--Main Title from "The Little Shop of Horrors" (1960) --Fred Katz--Completely Insane & Madeline's Brother from "House of Usher" (1960) --Les Baxter--Creature from the Haunted Sea from "Creature from the Haunted Sea" (1961) --Fred Katz & Betsy Jones-Moreland--Main Title from "The Pit and the Pendulum" (1961) --Les Baxter--End Title from "Tales of Terror" (1962) --Les Baxter--Suite from "The Premature Burial" (1962) --Ronald Stein--Main Title from "The Intruder" (1962) --Herman Stein
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 75: 1970s Crime and Thrillers Part 2.

Lee finally gets around to doing a follow-up to the very first episode of Blood on the Tracks: music from 1970s crime and thriller films. Lee was short for time this month, so that equals less talking from him and much more music. It's a win-win!
--Suite from "Darker than Amber" (1970) --John Parker--Theme from The Anderson Tapes from "The Anderson Tapes" (1971) --Quincy Jones--Taxi in the Rain (Parish Priest; Eddies Dead) & Office Scuffle (Kenilworth Heist; Casino Heist) from "The Outfit" (1973) --Jerry Fielding--Main Theme from "Death Wish" (1974) --Herbie Hancock--In Seattle & Toms - Sea Chase from "McQ" (1974) --Elmer Bernstein--Dolowitz Gets Killed, Money Montage & Main Title from "The Taking of Pelham 123" (1974) --David Shire--Ripley's Games from "The American Friend" (1977) --Jürgen Knieper--Straight Time from "Straight Time" (1978) --David Shire
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 74: 1980s Italian Action Mixer.

Lee is back this month with a mix of music selections from Italian action films from the 1980s. There's some superhero antics, some comedic slapstick action, late period poliziotteschi, and items that fall under the "macaroni combat" moniker. The list is both light and breezy, and in some cases, maybe a bit tight and sleazy. Enjoy!
--Seq. 2 & Seq. 10 from "Speed Driver" (1980) --Stelvio Cipriani--Seq. 14 from "The Rebel" (1980) --Stelvio Cipriani--Main Title from "Strike Commando" (1987) --Luigi Ceccarelli--Main Title from "Blastfighter" (1984) --Fabio Frizzi--What's Going on in Brazil (Jazz Band) from "Double Trouble" (1984) --Franco Micalizzi--Supersnooper from "Super Fuzz" (1980) --The Oceans--The Puma Man & Puma Man #7 from "The Pumaman" (1980) --Renato Serio--Transformation Version 2 & Starlights from "Endgame" (1983) --Carlo Maria Cordio--The Day of the Cobra from "The Day of the Cobra" (1980) --Paolo Vasile & Charlie Cannon
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 73: More Vanity Insanity.

Lee's back this month to cover more score/soundtrack selections from vanity projects. That's right - those special films made by special people with a special vision. Who cares if the films are actually good or not? These (mostly) outsider artists shot their shot, and in Lee's opinion, art is usually better for it.
--One Tin Soldier from "Billy Jack" (1971) --Coven--Main Title Theme from "Top of the Heap" (1972) --J.J. Johnson--Opening Theme Song from "The Bad Bunch" (1973) --Ed Cobb & Sheldon Lee--Theme from Solomon King from "Solomon King" (1974) --J. Steiger & Jimmy Lewis--Shed a Tear from "The Trial of Billy Jack" (1974) --Teresa Laughlin--Love in Flight from "Grand Theft Auto" (1977) --Peter Ivers--Main Title/Deep Space & Caught/Massacre/Rocket from "Aftermath" (1982) --John Morgan--We R in Control & Transformer Man from "Human Highway" (1982) --Neil Young--Midnight Rendezvous & Song of Peace from "Rock and the Alien" (1988) --Denis Adam Zervos
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 72: Exploitation Samurai (Hanzo the Razor & Lone Wolf and Cub).

This month Lee takes a look at selections from the scores from two notable 1970s Samurai exploitation film series, "Hanzo the Razor" & "Lone Wolf and Cub". Although a lot of traditional Japanese musical elements were used, more often than not, convention was thrown out the window. Fuzzed-out electric rock, jazz & funk all show up to spice-up these more Grindhouse-esque films, which are full of bloody violence, sex, and taboo subject matter.
--Goyoukiba's Theme & Main Title from "Hanzo the Razor: Sword of Justice" (1972) --Kunihiko Murai--Main Title & The Villain - Shoubei Heijima from "Hanzo the Razor: The Snare" (1973) --Isao Tomita --Main Theme from "Hanzo the Razor: Who's Got the Gold?" (1974) --Hideaki Sakurai--Goyoukiba 'Fang' Theme from "Hanzo the Razor: Who's Got the Gold?" (1974) --The Mops & Masaru Hoshi--Main Title from "Lone Wolf And Cub: Sword Of Vengeance" (1972) --Hideaki Sakurai--The Wolf Crosses the Ocean & Duel at the Dune from "Lone Wolf And Cub: Baby Cart At The River Styx" (1972) --Hideaki Sakurai--The Wolf Howls In The Wilds from "Lone Wolf and Cub: Baby Cart to Hades" (1972) --Hideaki Sakurai--Ending Theme Song from Lone Wolf and Cub: Baby Cart to Hades" (1972) --Hiroshi Kamayatsu, vocals by Tomisaburo Wakayama--Main Title, Besieging Army Of Ura Yagyu & Ending from "Lone Wolf and Cub: Baby Cart in Peril" (1972) --Hideaki Sakurai--Main Title, The Wolf's Cub, The Kuroda Menbo Army, The Running Wolf & Ending from "Lone Wolf and Cub: Baby Cart in the Land of Demons" (1973) --Hideaki Sakurai--Main Title from "Lone Wolf and Cub: White Heaven in Hell" (1974) --Kunihiko Murai--Lone Wolf's Theme from "Shogun Assassin" (1980) --Michael Lewis, Mark Lindsay & The Wonderland Philharmonic Orchestra
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 71: Unused Scores Part 3.

Lee has decided to end off 2023 for Blood on the Tracks by returning to the subject of rejected/unused soundtracks and scores for films, with a small but very diverse playlist of material, as well as some excerpts from the scores that were used for each film, for comparison.
--The Payback from "Hell up in Harlem" (1973) --James Brown--Shining Title Music; Greetings Ghosties; Danny; & A Ghost Piano from "The Shining" (1980) --Wendy Carlos & Rachel Elkind--Suite from "Streets of Fire" (1984) --James Horner--Suite from "Cyborg" (1989) --Tony Riparetti & Jim Saad
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 70: Peak Lynch.

In this episode Lee picks some of his favourite music that's been featured in the feature length films of David Lynch, one of Lee's favourite directors. It's recommended you listen with a damn fine cup of coffee, and a steaming plate of garmonbozia
--Digah's Stomp from "Eraserhead" (1977) --Fats Waller--In Heaven (Lady in the Radiator Song) from "Eraserhead" (1977) --Peter Ivers, David Lynch, Alan R. Splet & Fats Waller--The Elephant Man Theme & The Belgian Circus Episode from "The Elephant Man" (1980) --John Morris--Robot Fight from "Dune" (1984) --Toto--Main Title & Frank from "Blue Velvet" (1986) --Angelo Badalamenti--Honky Tonk Part 1 from "Blue Velvet" (1986) --Bill Doggett--In Dreams from "Blue Velvet" (1986) --Roy Orbison--Cool Cat Walk from "Wild at Heart" (1990) --Angelo Badalamenti & Kinny Landrum--Love Me Tender from "Wild at Heart" (1990) --Nicolas Cage--Wicked Game from "Wild at Heart" (1990) --Chris Isaak--Theme from "Twin Peaks: Fire Walk with Me" (1992) -- Angelo Badalamenti--The Black Dog Runs at Night from "Twin Peaks: Fire Walk with Me" (1992) --Thought Gang--The Pink Room from "Twin Peaks: Fire Walk with Me" (1992) --David Lynch--Sycamore Trees from "Twin Peaks: Fire Walk with Me" (1992) --Jimmy Scott--I'm Deranged from "Lost Highway" (1997) --David Bowie--This Magic Moment from "Lost Highway" (1997) --Lou Reed--Mr. Eddy's Theme 1 & 2 from "Lost Highway" (1997) --Barry Adamson--Country Theme & Alvin's Theme from "The Straight Story" (1999) --Angelo Badalamenti --Diner & Silencio from "Mulholland Drive" (2001) --Angelo Badalamenti--Llorando from "Mulholland Drive" (2001) --Rebekah Del Rio--Bring it on Home from "Mulholland Drive" (2001) --Sonny Boy Williamson II--Call from the Past & Ghost of Love from "Inland Empire" (2006) --David Lynch
Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Blood on the Tracks Episode 69: Asian Horror.

In this episode Lee takes a brief trip to the far East to check out tracks from the soundtracks and scores of some of his favourite Asian horror films. This will most likely be followed up with more parts in the future.
--Heart Sutra from "Kwaidan" (1964) --Tōru Takemitsu--Theme from "Onibaba" (1964) --Hikaru Hayashi--Oriental Melon Man from "House" (1977) --Mickie Yoshino & Godiego--Theme from "Mystics in Bali" (1981) --Gatot Sudarto--The Cursed Video from "Ring" (1998) --Kenji Kawai--Robby's Song from "Tomie" (1998) --World Famous--Theme from "Audition" (1999) --Kōji Endō--Kirie from "Uzumaki" (2000) --Tetsuro Kashibuchi & Keiichi Suzuki--Ju-On Theme - House from "Ju-On: The Grudge" (2002) --Shiro Sato--The Monster's Lair from "The Host" (2006) --Byung-woo Lee--Theme from "Cold fish" (2010) --Tomohide Harada--First Pass from "Train to Busan" (2016) --Jang Young-Gyu--Karma & Kelam Malam from "Satan's Slaves" (2017) --The Spouse (Aimee Saras & Tony Marle)
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 68: Sex Comedies of the 1980s.

Lee is back with the second part of his look at the soundtracks and scores of the sex comedy genre, focusing on the more lurid side of things. This time everything has gotten far bigger and far hornier as he moves into the 1980s. Much like with slasher films, and other assorted cinematic junk food, the sex comedy genre exploded in North America during this decade, getting far raunchier and problematic that it had previously been. Because of the exponentially larger amount of music to put on the playlist, Lee put out a poll to the listeners asking them if they wanted this split into two parts or if they wanted a super-sized summer blow-out. Apparently the listeners are all size queens, so enjoy this 3hr episode!
NOTE: Let Me Be the Knight from "The Big Bet" (1987) by Rob Tro is mentioned as being on the list in this episode, but unfortunately it got lost in the final edit, and Lee doesn't feel like fixing it and reuploading the episode at this point. Sorry.
--Pinball Summer & Voyeur's Motel from "Pinball Summer" (1980) --Jay Boivin & Germain Gauthier--I Don't Need To Love You & Try Not To Break My Heart from "The Beach Girls" (1982) --Linda Stevens-Foote--Better Luck Next Time from "The Last American Virgin" (1982) --Oingo Boingo--Shake it Up from "The Last American Virgin" (1982) --The Cars--Teen Angel Eyes from "The Last American Virgin" (1982) --Tommy Tutone--Girls Like Me from "Valley Girl" (1983) --Bonnie Hayes--Marina Men from "Valley Girl" (1983) --The Valley Girls--Pocket Pool from "Valley Girl" (1983) --Killer Pussy--Angst in My Pants from "Valley Girl" (1983) --Sparks--Shake that Thing & This Heart's On Fire from "Screwballs" (1983) --Johnny Dee Fury--Joysticks from "Joysticks" (1983) --Legion--My Tutor from "My Tutor" (1983) --Webster Lewis--Sleepover from "The First Turn-On!" (1983) --Shrapnel--Hungry Like the Wolf from "Hot Dog... The Movie" (1983) --Duran Duran--When You Were Mine from "Hot Dog... The Movie" (1983) --Mitch Ryder--Private School from "Private School" (1983) --Bill Wray--Rock this Town from "Private School" (1983) --The Stray Cats--I Want Candy from "Private School" (1983) --Bow Wow Wow--Da Da Da I Don't Love You, You Don't Love Me Aha Aha Aha from "Private School" (1983) --Trio--How Do I Let You Know from "Private School" (1983) --Phoebe Cates--Just a Girl from "The Party Animal" (1984) --The Convertibles--Why Can't I Touch It? from "The Party Animal" (1984) --The Buzzcocks--Manhattan from "Revenge of the Nerds" (1984) --Andrea and Hot Mink--Burning Down the House from "Revenge of the Nerds" (1984) --Talking Heads--Steel from "Rosebud Beach Hotel" (1984) --Cherie & Marie Currie--Hardbodies from "Hardbodies" (1984) --Krak--Runnin' from "Hardbodies" (1984) --Vixen--Back to Paradise from "Revenge of the Nerds II" (1984) --38 Special--Dedication from "School Spirit" (1985) --Gleaming Spires--Hard Way from "Just One of the Guys" (1985) --Tony Brock & Jay Davis--Tomboy from "Tomboy" (1985) --Souvenir--Weird Science from "Weird Science" (1985) --Oingo Boingo--Philadelphia Baby from "Porky's Revenge" (1985) --The Crawling King Snakes--Peter Gunn Theme from "Porky's Revenge" (1985) --Clarence Clemons--High School Nights from "Porky's Revenge" (1985) --Dave Edmunds--Loose Screws (Breakin' Away) from "Loose Screws" (1985) --Errol Francis and The Francis Factor--Stew School from "Stewardess School" (1986) --Keith Landry--Lookin' from "The Malibu Bikini Shop" (1986) --Naomi Delgado--Recruits (Ride Hard, Live Free) from "Recruits" (1986) --Jon Mikl Thor--Hamburgers For America from "Hamburger: The Motion Picture" (1986) --Blue Miller--Party Camp from "Party Camp" (1987) --Mark Carpenter--Surfin' Bongos from "Senior Week" (1987) --The Bongo Teens--Main Title from "Not of This Earth" (1988) --Chuck Cirino--Killer Machine from "Dr. Alien" (1989) --Billy Jacoby
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 67: Sex Comedies of the 1970s.

Lee is back with part one of a two-part look at the soundtracks and scores of sex comedies, specifically those of the 1970s and 1980s, the raunchier the better! There was so much material to go through that he had to split each decade into its own super-sized episode of BotT, and even then he's barely scraping the surface. In part one we start off in the decade where the sex comedy really started to take off overseas at first: the 1970s! This was especially obvious in places like Great Britain and Italy, and this trend would seemingly influence North American sex comedies to push the envelope even further later in the decade, before they totally came to dominate in the 1980s.
--Up Pompeii from "Up Pompeii" (1970) --Frankie Howerd--God's Children & Lola from "Percy" (1971) --The Kinks--Au Pair Girls 2 from "Au Pair Girls" (1972) --Roger Webb--Sessomatto from "How Funny Can Sex Be" (1973) --Armando Trovajoli--Alvin Purple from "Alvin Purple" (1973) --Brian Cadd--Lovin' Is from "Alice Goodbody" (1974) --Rick Harris, Candy & Mr. D--This is Your Life Timmy Lea from "Confessions of a Window Cleaner" (1974) --Su Cheyenne--Girl from Starship Venus from "The Girl from Starship Venus" (1975) --Don Lang--Confessions of Timmy Lee from "Confessions of a Pop Performer" (1975) --Three's a Crowd--Kipper; Accidents Will Happen; Oh Sha La La & The Clapham from "Confessions of a Pop Performer" (1975) --Kipper (Dominic Bugatti & Frank Musker)--Theme from "The Ups and Downs of a Handyman" (1975) --Vic Elms (vocals by Barry Stokes)--Sq. 1 - Titoli & Seq. 3 from "The Sensuous Nurse" (1975) --Gianfranco Plenizio--My Cruisin' Casanova from "Adventures of a Taxi Driver" (1976) --Adrienne Posta--The Love Bug from "What's Up Nurse!" (1977) --Tony Burrows--Private Eye from "Adventures of a Private Eye" (1977) --Christopher Neil--The New Carioca from "The Kentucky Fried Movie" (1977) --Jonathan & Darlene Edwards--Heavy Bopper from "The Kentucky Fried Movie" (1977) --Alan Moorhouse--Give Me England from "Confessions from a Holiday Camp" (1977) --The Wurzels--It's Great to Be Here from "Come Play with Me" (1977) --Peter Jeffries (vocals by Alfie Bass & George Harrison Marks)--Come Play with Me from "Come Play With Me" (1977) --Coming Shortly (Peter Jeffries)--Chevy Van; Country Lady & Early Morning Love from "The Van" (1977) --Sammy Johns--Animal House from "Animal House" (1978) --Stephen Bishop--Lollipop from "Lemon Popsicle" (1978) --The Chordettes--Hold On, I'm Coming from "What's Up Superdoc!" (1978) --Fingers (Paul Fishman)--I'm Flying from "Adventures of a Plumbers Mate" (1978) --Christopher Neil--Love Crazy from "Carry on Emmannuelle" (1978) --Masterplan (Kenny Lynch)--Lola Langusta from "Beneath the Valley of the Ultra-Vixens" (1979) --Paul Ruhland--Van Nuys Blvd. & Mama's Car from "Van Nuys Blvd." (1979) --Ron Wright & Ken Mansfield--All of My Friends from "Gas Pump Girls" (1979) --Kirsten Baker--Theme from "Spaced Out" (1979) --Emil Zoghby--You Got Me Up There from "Spaced Out" (1979) --Tommy Hunt
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 66: Grab Bag 4 - Back in the Bag.

Yes indeed, Lee is swamped with work and other things, so it's time to give him a break and let him do another easy TMBDOS! Grab Bag episode. This is where he makes up a playlist based on selections from the scores and soundtracks from the films covered on previous episodes of the They Must Be Destroyed On Sight! podcast. Enjoy!
--La Ragazza Con La Pistola, In Due & Shake Balera from "The Girl with the Pistol" (1968) --Peppino De Luca (Episode 236)--The Name's Bond... James Bond from "No Time to Die" (2021) --Nicholas Dodd (Episode 243)--Mask: Movement 3 from "Vampire in Venice" (1988) --Vangelis (Episode 244)--Temple of The Golden Pavilion from "Mishima" (1985) --Phillip Glass (Episode 246)--Main Title from "Sneakers" (1992) --James Horner (Episode 247)--Main Theme from "Death Screams" (1982) --Dee Barton (Intermission #38)--Keoma (Instrumental) from "Keoma" (1976) --Guido and Maurizio De Angelis (Episode 252)--Ain't that a Kick in the Head from "Goodfellas" (1990) --Dean Martin (Episode 257)--I Want You Around from "Rock 'n' Roll High School" (1979) --The Ramones (Episode 259)--I'm Waiting for the Man from "American Pop" (1981) --Lou Reed (Episode 261)--Whistle & Bells and Sheriff from "The Sheriff and the Satellite Kid" (1979) --Oliver Onions (Episode 264)
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 65: Quentin Tarantino Part 2.

Lee is back with his second part of his look at his favourite selections from the soundtracks and scores for the filmography of Quentin Tarantino, this time covering "Death Proof" to "Once Upon a Time in America". As Tarantino went forward his soundtracks got larger and larger, so this ended up being an even bigger episode than part one, even with Lee trying his best to restrain himself with his picks.
"Death Proof" (2007)
--Violenza Inattesa --Ennio Morricone--The Last Race --Jack Nitzsche--Jeepster --T. Rex--Riot in Thunder Alley --Eddie Beram--Italia a Mano Armata --Franco Micalizzi--Hold Tight --Dave Dee, Dozy, Beaky, Mick & Tich--Baby, It's You --Smith--Chick Habit --April March
"Inglourious Basterds" (2009)
--Main title from White Lightning --Charles Bernstein--Main title from Slaughter --Billy Preston--Ich Wollt Ich Wär Ein Huhn --Lillian Harvey & Willy Fritsch--Main Theme from Dark of the Sun --Jacques Loussier--Tiger Tank --Lalo Schifrin--Rabbia e Tarantella --Ennio Morricone--Un Amico --Ennio Morricone--The Devil's Rumble --Davie Allan and The Arrows--Algiers November 1, 1954 --Ennio Morricone & Gillo Pontecorvo
"Django Unchained" (2012)
--Django --Rocky Roberts & Luis Bacalov--The Braying Mule --Ennio Morricone--His Name Was King --Luis Bacalov & Edda Dell'Orso--I Got A Name --Jim Croce--Rito Finale --Ennio Morricone--Days of Anger --Riz Ortolani--Trinity (Titoli) --Franco Micalizzi and Lally Stott, vocals by Annibale E I Cantori Moderni
"The Hateful Eight" (2015)
--L'Ultima Diligenza Di Red Rock (Intro Vers.) --Ennio Morricone--Regan's Theme (Floating Sound) --Ennio Morricone--Beastiality --Ennio Morricone--Now You're All Alone --David Hess--L’inferno Bianco --Ennio Morricone--There Won't Be Many Coming Home --Roy Orbison
"Once Upon a Time in Hollywood" (2019)
--I Can't Turn You Loose --Wayne Cochran and The C.C. Riders--Out of Time (Strings Version) --The Rolling Stones--Hush --Deep Purple--Son of a Lovin' Man --Buchanan Brothers--Bring a Little Lovin' --Los Bravos--Ready for Action --Syd Dale--Brother Love's Traveling Salvation Show --Neil Diamond--Kicks --Paul Revere & The Raiders--Victorville Blues --Harley Hatcher Combo--Dinamite Jim (English Version) --Nico Fidenco & I Cantori Moderni di Alessandroni (vocals)--You Keep Me Hangin' On (Quentin Tarantino Edit) --Vanilla Fudge
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 64: Quentin Tarantino Part 1.

Regardless of if you like the work of Quentin Tarantino or not, it can not be denied that he curates killer soundtracks for his films. Much like how he borrows visually and thematically from the films of the past to create his own unique film architecture, he often layers in music from other films in other to do much the same. Sometimes the music is there just to accent a scene and make it cooler, sometimes it's a deeper meta reference. Sometimes it just doesn't work at all, but nobody always hits the target all the time. With the announcement that Tarantino is working on his (according to him) tenth and final film, "The Movie Critic", Lee decided it was time to look back at his body of work as it stands right now, and choose the tracks from his filmography that he loves best. Because there's so much to dig into, this will be part one of a two part series of super-sized episodes.
"Reservoir Dogs" (1992)
--Little Green Bag --The George Baker Selection--Stuck in the Middle With You --Steelers Wheel--Coconut --Harry Nilsson
"Pulp Fiction" (1994)
--Miserlou --Dick Dale--Ace of Spades --Link Wray--Comanche --The Revels--Bustin' Surfboards --The Tornadoes--If Love is a Red Dress (Hang Me in Rags) --Maria McKee
"Jackie Brown" (1997)
--Didn't I (Blow Your Mind This Time) --The Delfonics--Cissy Strut --The Meters--The Lion and the Cucumber --The Vampire's Sound Incorporation--Exotic Dance, Escape, & Aragon --Roy Ayers--Street Life --Randy Crawford--Long Time Woman --Pam Grier--Who is He (And What is He to You) --Bill Withers--Across 110th Street --Bobby Womack
"Kill Bill: Volume 1" (2003)
--The Flower of Carnage --Meiko Kaji--Battle Without Honor or Humanity --Tomoyasu Hotei--Theme from Ironside --Quincy Jones--The Lonely Shepherd --Gheorghe Zamfir & James Last--Twisted Nerve --Bernard Herrmann--That Certain Female --Charlie Feathers--Crane/White Lightning --RZA & Charles Bernstein--Run Faye Run --Isaac Hayes--The Grand Duel (Parte Prima) --Luis Bacalov--Bang Bang (My Baby Shot Me Down) --Nancy Sinatra
"Kill Bill: Volume 2" (2004)
--Motorcycle Circus --Luis Bacalov--Malagueña Salerosa --Chingon--Can't Hardly Stand It --Charlie Feathers--The Chase --Alan Reeves, Phil Steele, and Philip Brigham--A Silhouette of Doom & L'arena --Ennio Morricone
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 63: The Vanity of it All.

Sometimes the cinematic vanity project (a film that is usually some combo of a single person writing, directing, producing and acting in a film) can be an artistic vision that's a masterpiece that stands the test of time. A good example would be Orson Welles' "Citizen Kane". Most times, however, vanity projects are created by total outsiders who have the money but no talent, but their drive and their delusions push the project through, for better or for worse. This time out Lee has put together a playlist covering some notable, and in some cases just unknown, vanity projects. This will no doubt be a thread picked up in future episodes, as there's a ton of these to cover.
--World's Greatest Sinner from "The World's Greatest Sinner" (1962) --Frank Zappa--Come on Feet from "Sweet Sweetback's Baadasssss Song" (1971) --Melvin Van Peebles--Schlock Boogie from "Schlock" (1973) -- Ian Kranitz & Albin Konopka--Rage from "Stone" (1974) --Billy Green--I'll Be With You In Apple Blossom Time & Open Your Heart from "Massacre Mafia Style" (1974) --Duke Mitchell--Enuff is Enuff from "One Down, Two to Go" (1982) --Rodney Franklin--To Survive; Girl Crazy & Take it Off from "The Life and Loves of a Male Stripper" (1987) --Rafael Bethencort--Shimmy Slide from "Champagne and Bullets" (1993) --John De Hart--The Ninja from "New York Ninja" (2021) --Voyag3r
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 62: Unused Scores Part 2.

Lee has finally dipped back into the world of rejected film scores. Due to popular demand, he's also included short snippets of the scores that were actually used in the finished film before each selection. Sit back and listen to what could have been, and maybe learn a little bit about why things didn't quite pan out the way they could have.
--Suite from "Night and the City" (1950) --Benjamin Frankel--Suite from "Night and the City" (1950) --Franz Waxman--Main Title from "Forbidden Planet" (1956) --David Rose--The Mountain from "The Bible" (1966) --Ennio Morricone--Main Title from "Frenzy" (1972) --Henry Mancini--Alien Landing, Out Back & The Vial from "Alien Nation" (1988) --Jerry Goldsmith
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Blood on the Tracks Episode 61: 2022 Hangover Blues.

Lee is trying to regroup from a rough last couple of months, so he is starting off 2023 by looking at music from some of the best first-time watches of 2022 in order to conjure up some good memories for that year.
--Suite from "Dr, Jekyll and Sister Hyde" (1971) --David Whitaker--Something's Mighty Mighty Wrong & That's What Love Will Do from "Three the Hard Way" (1974) --The Impressions--Suite from "Visiting Hours" (1982) --Johnathan Goldsmith--I Was Looking for You & Telescope from "Body Double" (1984) --Pino Donaggio--End Titles from "52 Pick-Up" (1986) --Gary Chang--Arrivals from "Extreme Prejudice" (1987) --Jerry Goldsmith--Scrooge from "The Muppet Christmas Carol" (1992) --Composed by Paul Williams, performed by The Muppets--Tarot from "Woodlands Dark and Days Bewitched: A History of Folk Horror" (2021) --Andrew Brown--It's in the Cloud & Arena Attack from "Nope" (2022) --Michael Abels
Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.