Monday Jan 31, 2022
Blood on the Tracks Episode 52: Those Fab Fake Musical Acts - Addendum.
Due to some time constraints this month Lee's back with a slightly shorter show than usual. This time out he's compiled an addendum to the previous episode, which was about fictional bands and solo artists featured in films. This list was all taken from the list of tracks he had to cut from the original over-stuffed track list for that episode. He felt these were all too good to ignore.
--Lunar Madness from "Vicious Lips" (1986) --Vicious Lips (Sue Saad and the Next)
--Touch Me, I'm Dick from "Singles" (1992) --Citizen Dick (Pearl Jam)
--Wie Glauben/Techno Pop from "The Big Lebowski" (1998) --Autobahn (Carter Burwell)
--Love Comes and Goes from "Almost Famous" (2000) --Stillwater (Nancy Wilson, Cameron Crowe, Peter Frampton, Marti Frederiksen, & Mike McCready)
--Old Joe's Place from "A Mighty Wind" (2003) --The Folksmen (Harry Shearer, Christopher Guest, & Michael McKean)
--Sitting in a Car & My Friend (You Cunt) from "Brother of the Head" (2005) --The Bang-Bang (Luke Treadaway, Harry Treadaway & Clive Langer)
--Uh-Huh & Yes Man from "Yes Man" (2008) --Munchausen by Proxy (Zooey Deschanel & Von Iva)
--We Are Sex Bob-Omb & Summertime from "Scott Pilgrim vs. the World" (2010) --Sex Bob-Omb (Michael Cera, Mark Webber, Alison Pill, Beck Hanson)
Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.
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