They Must Be Destroyed On Sight!

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Blood on the Tracks Episode 31: Bastard Alien(s) Part 2.

January 31st, 2020

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Lee returns for a second look at music from films inspired by "Alien" and "Aliens". While there are a billion of these rip-off films, Lee quickly discovered when attempting to source the music, most of these films just don't have available soundtracks/scores, and even the ones that do usually only come from sources of dubious quality. That equals a bit less music than usual, and more talking from Lee. We know you're thrilled!

--Suite from "The Killings at Outpost Zeta" (1980) --Robert Emenegger
--Afternoon of a Spawn & The Spawn Who Came in from the Cold from "The Deadly Spawn" (1983) --Michael Perilstein
--After Autopsy & Hypnosis from "Lifeforce" (1985) --Michael Kamen
--Introduction & Cruel System from "Lily C.A.T." (1987) --Akira Inoue
--Baby, You've Changed from "Metamorphosis: The Alien Factor" (1990) --John Gray & Peter M. Stoller
--End Theme from "Critters 4" (1992) --Peter Manning Robinson
--Underwater Grave/The Saipan from "Deep Rising" (1998) --Jerry Goldsmith
--The Gauntlet from "Pitch Black" (2000) --Graeme Revell
--Doom from "Doom" (2005) --Clint Mansell

Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.