TMBDOS! Episode 207: "Lone Star" (1996).

Lee and Daniel continue to insist that their picks for 1990s movies were not intentionally made in relation to current events. That being said, this week it's John Sayles "Lone Star" (1996), which is a tale of race relations, bad cops, and hidden secrets in a small border town between Mexico and the USA. Fathers and sons; racism even within cultures; police corruption; and the bullshit of the Cold Winter Theory are just a few of the thing talked about, along with the brilliant performances and Sayles flashback techniques. Listener comments are also covered. "Lone Star" IMDB  Featured Music: "Down on the Rio Grande" by Johnny Rodríguez & "Blue and Lonesome" by Little Walter.

Cape Sh!t Episode 10: "Guardians of the Galaxy" (2014).

Daniel, Lee, Kerry and Greg have a fun chat about a really fun MCU film, "Guardians of the Galaxy" from 2014. The hosts spend a lot of time just talking about their favourite moments in this first real look into the outer space side of the MCU, and discuss how this snarky action-comedy manages to softball pitch the viewer a shit ton of world building and main plot threads for future films in the series. "Guardians of the Galaxy" IMDB  Featured Music: "Come and Get Your Love" by Redbone.

TMBDOS! Episode 206: "Strange Days" (1995).

Lee (who is half in the bag as this starts) and Daniel are back to look at a 1990s favourite of theirs, that being Kathryn Bigelow's "Strange Days" (1995). The hosts talk a lot about how well the sci-fi and noir elements are melded here, and the various plot threads, and if this film holds up over-all, or if it's firmly dated at this point. Other topics include Juliette Lewis being sexy; how the film does or does not confront police corruption and racism head-on; the way rape is presented in the context of the film; and other actors who were considered for the lead role. The hosts also mention what they've watched recently and respond to listener comments. "Strange Days" IMDB  Featured Music: "Hardly Wait" by Juliette Lewis & "No White Clouds" by Strange Fruit.

TMBDOS! Intermission #27: "Fuckin' Up".

Lee and Daniel intended to record a regular episode on "Strange Days" (1995), but technology conspired against them long enough that they decided to give up and just record an intermission, where you'll get to hear a bit of their fumbling with tech live, and then they move into a very casual chat about some tv and movies they've been watching, among other things. It's essentially just what happens off-air when they record every week, so don't expect too much. Featured Music: Excerpt from the score for "Confessions of a Sex Maniac" (1974) & "Fuckin' Up" by Neil Young.

TMBDOS! Episode 205: "Q & A" (1990).

This week Lee and Daniel look at Sidney Lumet's "Q & A" (1990). Does this lengthy film manage to properly explore the issues of systematic racism and corruption within police forces, or does it badly drop the ball? Does Nick Nolte's fantastic performance elevate or overshadow the material. And yes, a bit of discussion about the current 2020 riots and clashes with police is had. It was kind of unavoidable. Also: listener comments and what Daniel has been watching lately. "Q & A" IMDB  Featured Music: "Tiptoe Through the Tulips" by Tiny Tim & "The Hit" by Ruben Blades.

Blood on the Tracks Episode 35: Pasta Cowboy Music Part 1 - A Fist Full of Vocals.

Even if someone has never watched an Italian Western, there's at least a good chance they've heard the soundtrack or score from one. While Lee has featured some tracks from Italian Westerns before on the show, he's never done a dedicated look at the genre. This will be part one of three shows attempting to cover the scope of music that came from the Italian Westerns. Episode one is focused on selections that have vocalists on the tracks singing a song of some sort (note: the typical chorus of unintelligible chanting found on many Italian Western scores does not count in this case). As mentioned before, in some cases, you'll encounter a track that has been featured on a previous episode, but the majority of these shows will be featuring new material. Also, although he states on the episode that he was trying to keep this episode within the usual confines of an hour runtime, he quickly discovered the folly of that, as there is too much great music to play. Expect all of the episodes in this series to be as long as they have to be. --A Gringo Like Me from "Gunfight at Red Sands" (1963) --Ennio Morricone w/Peter Tevis --The Return of Ringo from "The Return of Ringo" (1965) --Ennio Morricone w/Maurizio Graf --A Lone and Angry Man from "A Coffin for the Sheriff" (1965) --Francesco De Masi w/Peter Tevis --Ya Me Voy from "A Bullet for the General" (1966) --Luis Bacalov w/Ramon Mereles --Texas, Adios from "Texas, Adios" (1966) --Anton Garcia Abril w/Don Powell --Django from "Django" (1966) --Luis Bacalov w/Rocky Roberts --For a Gunshot from "Little Rita of the West" (1967) --Roberto Gigli w/Rita Pavone--Who Is The Man? from "A Taste of Death" (1968) --Francesco De Masi; Alessandro Alessandroni & Giulia De Mutiis w/Raoul Lovecchio --Just A Coward from "And Now... Make Your Peace with God" (1968) --Franco Bixio w/Mary Usuah --A Man Alone from "Time and Place for Killing" (1968) --Francesco De Masi w/Raoul Lovecchio --Rocks, Blood And Sand from "And God Said to Cain" (1969) --Carlo Savina w/Don Powell --Maya from "No Room to Die" (1969) --Vasco & Mancuso w/Franco Morselli --Vamos A Matar Compañeros (#4) from "Companeros" (1970) --Ennio Morricone --A King For A Day from "Sartana in the Valley of Death" (1970) --Augusto Martelli --Trinity: Titles from "They Call Me Trinity" (1970) --Franco Micalizzi & Harold Stott w/Annibale Giannarelli --They Called Him King from "His Name was King" (1971) --Luis Bacalov w/Ann Collin & Edda Dell’Orso --I'm Not Your Pony from "Shoot the Living and Pray for the Dead" (1971) --Mario Migliardi w/Ann Collin --Can Be Done from "It Can Be Done Amigo" (1972) --Luis Bacalov w/Rocky Roberts --Let it Rain, Let it Pour from "Ben and Charlie" (1972) --Gianni Ferrio w/Stefan Grossmann --Blue Eggs and Ham from "Halleluja to Vera Cruz" (1973) --Luis Bacalov --Keoma from "Keoma" (1976) --Guido & Maurizio De Angelis w/Sybil & Guy Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.