TMBDOS! Episode 111: "Stagecoach" (1939).

Lee and Dan are continuing down the classic western film trail with what many consider to be the film that really breathed new life into, and also elevated the western genre from 'B' grade to 'A'. This episode it's John Ford's "Stagecoach" (1939). They talk about if it truly is a classic, how it made John Wayne a star, and the influences it had on films to come after it. Also covered: listener comments and what they've watched as of late.
Note: there were some audio issues when this was recorded. Lee has managed to edit around most of them, but at times the conversation might feel a tad disjointed, and a few sports of audio break-up might be heard. Sadly, it's also about ten minutes shorter than it originally was.
"Stagecoach" IMDB
Wrong With Authority Podcast's Consider the Reagan, Episode 1: "Back to the Future". 
Featured Music: "Jeanie With the Light Brown Hair" by Gilbert Kalish & Jan De Gaetani & "The Trail to Mexico" by Pete Seeger.

TMBDOS! Episode 110: ”High Noon” (1952) & ”3:10 to Yuma” (1957).

All three hosts are back for this episode to give what might be both their most interesting and insightful yet drunkenly chaotic episode of TMBDOS! Starting off a short series on classic westerns, Daniel, Paul, and Lee take a look at two early examples of revisionist westerns with "High Noon" (1953) & "3:10 to Yuma" (1957). Much of the discussion revolves around how similar the films are and which one is better. Of note, Daniel's reading on "High Noon" drastically changes Lee's opinions on the film. Listener comments are also covered. Saddle up, this one's a long and bumpy ride.
"High Noon" IMDB
"3:10 to Yuma" IMDB
City of the Dead Podcast
Wrong With Authority Podcast
Featured Music: "Ghost Riders in the Sky" by Deadbolt; "Do Not Forsake Me, Oh My Darlin" by Tex Ritter, and "The 3:10 to Yuma" by Frankie Laine.

TMBDOS! Intermission #22: The More You Know.

Lee throws another intermission episode your way, this time just as purely a news update on what's been going on with TMBDOS! and what's coming soon to both finish up the end of the year and beyond.
The Podcast Under the Stairs Movie Club
City of the Dead Podcast
Featured Music: "Is this Real?" & "Telepathic Love" by The Wipers, and "Tequila Sunrise (OST version)" by Le Matos.

Blood on the Tracks Episode 8: Poliziotteschi.

Lee is back to dig into one of his favourite film genres of all time, especially when it come to soundtracks and scores: the Italian crime/Poliziotteschi film genre. Ultra violence, lurid sex, and all sorts of musical styles abound from these films, and Lee tried hard to trim down the playlist to some of his all-time favourite tracks. So load up your guns and take the law into your own hands as society breaks down around you, in corruption and violence. Can you come out the other end clean? Who cares when the music is this great? Note: at one point Lee credits "Death Proof" instead of "Death Wish" as an influence on the genre, and, of course, he butchers Italian pronounciations left and right. But you expected that, right?
Playlist:
--Prelude from "Caliber 9" (1972) -- Luis Bacalov & Osanna --Montreal Non Stop from "Stateline Motel" (1973) -- Luis Bacalov --Citta Violenta from "Violent City" (1970) -- Ennio Morricone --Blue Song from "The Violent Professionals" (1973) -- Guido & Maurizio De Angelis --And Life Goes On from "The Violent Professionals" (1973) -- Guido & Maurizio De Angelis --Gangster Story from "High Crime" (1973) -- Guido & Maurizio De Angelis --Labirinto from "Tony Arzenta" (1973) -- Gianni Ferrio --Main Theme from "The Italian Connection" (1972) -- Armando Trovajoli --Main Theme from "The Great Kidnapping" (1973) -- Stelvio Cipriani --La Polizia Sta A Guardare Part 4 from "The Great Kidnapping" (1973) -- Stelvio Cipriani --La Polizia Ringrazia from "Execution Squad" (1972) -- Stelvio Cipriani --Un Ami from "Revolver" (1973) -- Ennio Morricone --Main Titles from "The Heroin Busters" (1977) -- Goblin --Goodbye My Friend from "Street Law" (1974) -- Guido & Maurizio De Angelis
Opening and closing music: Downhill Decoy from "Danger Diabolik" by Ennio Morricone & Blonk Monster from "House by the Cemetery" by Walter Rizzati.